Most Popular
Most Popular sponsored by
Recent Blog Posts
Mon Dec 1, 4:58 PM
Mon Dec 1, 2:01 PM
Mon Dec 1, 5:01 PM
Mon Dec 1, 4:00 PM
Mon Dec 1, 4:36 PM
Mon Dec 1, 2:58 PM
Mon Dec 1, 8:00 PM
Recent Articles
Recent Articles by Tuyet Nguyen
Thursday, July 19, Marquis Theater, 1-866-468-7621.
Sam Mickens and his crew have a unique view of pop music.
Thursday, July 12, 3 Kings Tavern, 303-777-7352.
Larimer Lounge
National Features >
Riverfront Times
Old-school hog farming makes a comeback, thanks to some fine swine from Frankenstein.
By Kristen Hinman
SF Weekly
Transgender hookers with rap sheets are successfully fighting deportation--by asking for asylum.
By Lauren Smiley
Houston Press
First, Houston's DNA lab became a laughingstock. Then its controversial director was murdered.
By Randall Patterson
Thank God for Astronauts
Bring Us Meat
Needlepoint Records
Published on April 18, 2007 at 11:26am
Bring Us Meat, Thank God for Astronauts' latest effort, is, to be precise, impressively bland. The album (due for release this Saturday, April 21, at the hi-dive) is a mostly mediocre attempt at cutesy-yet-earnestly-indie pop music, and despite sincere comparisons to acts such as the Shins or even Sunny Day Real Estate, it lacks the sheer creative veracity that makes those groups great. The Denver-based foursome, which has been at it for years, has issued a number of laudable releases that better capture its blend of '60s-ish bubblegum and modern alt-rock; this time out, the Astronauts seem to have gotten stuck in orbit. Vocalist/guitarist Kent Phillips croons his best Bono impression, and for more downbeat songs such as "Willie Mays Model" and "Bad Day...Cool World," that works well -- with galvanic results, even. Unfortunately, a couple of standout tracks aren't enough to redeem a whole album's worth of banal sing-along ditties. Meat has heart, for sure -- but where's the beef?