Richard Thompson | Music | Denver | Denver Westword | The Leading Independent News Source in Denver, Colorado
Navigation

Richard Thompson

Consistency is considered to be an attribute — but for Richard Thompson, it's been a drawback, too. He was first championed during the late '60s for his contributions to Fairport Convention, among the most interesting English folk-rock groups of the era, and he saw his star rise again in the...
Share this:
Consistency is considered to be an attribute — but for Richard Thompson, it's been a drawback, too. He was first championed during the late '60s for his contributions to Fairport Convention, among the most interesting English folk-rock groups of the era, and he saw his star rise again in the '80s thanks to Shoot Out the Lights, a beyond-brilliant conclusion to his collaboration with then-wife Linda Thompson. However, he's been largely taken for granted in recent years, despite — or perhaps because of — his prolific output (he's issued at least eighteen albums since 1988) and damnable steadiness (none of the platters has been less than worthy). Sweet Warrior, a new Shout Factory release, is unlikely to alter this situation. Although the CD is packed with mesmerizing guitar textures, distinctively gruff vocalizing and solid compositions exemplified by "Dad's Gonna Kill Me," a seething indictment of the Iraq War, it emerges as a reliable demonstration of his talent, not a groundbreaking effort sure to broaden his appeal. For Thompson, keeping up the good work still hasn't paid off.
KEEP WESTWORD FREE... Since we started Westword, it has been defined as the free, independent voice of Denver, and we'd like to keep it that way. Your membership allows us to continue offering readers access to our incisive coverage of local news, food, and culture with no paywalls. You can support us by joining as a member for as little as $1.