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Though there is some stylistic range in Colbert's oeuvre, his signature approach was hyper-realistic — but not photo-realist, as his paintings have lively and expressive surfaces. He was especially interested in the Western landscape and was particularly accomplished at selecting the right colors to deal with the effects of light and shadow. All of these characteristics are prominently displayed in "Glenwood Canyon" (pictured), which features a rugged mountain in the background framing construction in the foreground.
"Glenwood Canyon" and other Colbert paintings had already been slated for inclusion in a Colorado landscape show to be presented later this summer at Robischon and the Center for Visual Art. The exhibit coincides with the publication of Landscapes of Colorado, which I co-authored with Denver Art Museum curator Ann Daley. In preparation for my part, I spoke with Colbert a few months ago, and I found him to be sensitive and thoughtful. But considering what happened, perhaps he was too sensitive and too thoughtful.