By Show and Tell
By Bree Davies
By Bree Davies
By Cory Casciato
By Emilie Johnson
By Robin Edwards
By Bree Davis
By Josiah M. Hesse
Gary Lynch. The Emmanuel Gallery, in association with the Colorado Photographic Arts Center, presents Gary Lynch: A Memorial Retrospective. Lynch, a Denver native who was born in 1953, died unexpectedly in the fall of 2005. A well-known fine-art photographer who served on the board of CPAC, Lynch took up the camera when he was a small child. Emmanuel is the perfect place for this memorial, since Lynch not only earned his B.A. at adjacent Metropolitan State College, but he also taught there, as well as at the other two Auraria institutions, the Community College of Denver and the University of Colorado at Denver. (He did his M.F.A. in photography off the campus, at the University of Denver.) Lynch was fascinated by the human figure and face, including his own, and was interested in creating special lighting effects that give some of his photos an otherworldly character. He also experimented with unlikely methods, including carbon printing. Though his professional career ranged over a mere ten years, he was almost universally regarded as a master of the photographic medium. Through July 20 at Emmanuel Gallery, Auraria campus, 303-556-8337.
Manuel Neri. This solo at Robischon Gallery is a spectacular presentation filled with breathtaking sculptures and works on paper by Manuel Neri, the well-known California artist. One interesting fact about Neri is that he's that rare bird who is part of the current contemporary art scene and who also has a place in art history. Neri came of age as part of the 1960s funk movement in California and slowly transformed his work by adding a classical aesthetic, which he'd picked up during frequent working trips to Italy. The Robischon exhibit is dominated by large-scale sculptures, including a handful of monumental works in fragile plaster and some more durable bronzes. Despite all the heavy-duty expressiveness of Neri's surfaces and his efforts to simplify the form of the figure, there's no question that the subject of nearly all his pieces is a nude woman. In the Viewing Room, there's a little group show that's very compatible with the Neri feature, including C-print photos of blurry figures by Bill Armstrong and billboard-sized neo-expressionist oil-on-canvas paintings of nudes by Stefan Kleinschuster. Through July 21 at Robischon Gallery, 1740 Wazee Street, 303-298-7788. Reviewed May 24.
RADAR. With its outlandish appearance, the Denver Art Museum's new Frederic C. Hamilton Building has overshadowed what's on display inside. There are a few exceptions to this, and first among them is RADAR: Selections From the Collection of Vicki & Kent Logan, installed in the Anschutz Gallery on the second level. Put together by Dianne Vanderlip, the outgoing curator of the Modern and Contemporary Art department, RADAR includes sections on the cutting edge in Asia, Europe and America. Many of the works were donated by the Logans, who live in Vail and are among the most important collectors of contemporary art in the country — and, in recent years, among the DAM's most significant donors, having given as gifts over 200 works of art and promised hundreds more. Some of the biggest names in international art are in the show, among them Takashi Murakami, Yoshitomo Nara, Zhang Huan, Damien Hirst, Jenny Saville, Michel Majerus, Neo Rauch, Carroll Dunham, Kiki Smith, George Condo and Fred Tomaselli, all represented by major works. An absolute must-see. Through July 15 at the Denver Art Museum, 100 West 14th Avenue Parkway, 720-865-5000. Reviewed December 28, 2006.
Roland Bernier. Unquestionably, Retrospective: 20 Years of Roland Bernier is among the very best offerings Walker Fine Art has ever put up. Bernier's career stretches back to the 1950s, but this show begins in the '80s, with a single piece from that time — an untitled acrylic on paper with a calligraphic quality. The use of calligraphy prefigures Bernier's later efforts, when words would be spelled out to become not only the subject, but also the form of his work. "Body Language," from 1996, and "Second Thoughts," from 1997, are nearly square wall-hung wooden rectangles covered with raised words wrapped in color photocopies. "Wall of Words" is an entire wall covered in words written in laser-cut, mirrored Plexiglas pieces. The whole thing is visually stunning. The most recent pieces are twelve sculptures from his "A Word in Hand" series that take the form of his own hands. Through July 21 at Walker Fine Art, 300 West 11th Avenue, 303-355-8955. Reviewed June 21.