Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Related Stories ...

Reader's Picks

Top Recommendations

A short list of Denver's most popular hot spots.
user content provided by: LikeMe.net & Westword

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

  • Dallas Observer

    The Fight for Texas

    Rick Perry and Kay Bailey Hutchison are locked in a battle over the soul of the GOP. They're also running for governor.

    By Sam Merten

Guru

Saturday, July 21, the Oriental Theater, 303-455-2124.

Share

  • rss

By Jon Solomon

Published on July 17, 2007 at 7:57pm

On his introduction to the first Jazzmatazz album, Guru talks about how he'd always wanted to do an experimental fusion of hip-hop and live jazz. But he wanted to do it right. With that in mind, the former Gang Starr MC recruited a few jazz heavies such as Donald Byrd, Roy Ayers and Lonnie Liston Smith, along with younger vocalists like MC Solaar and the Brand New Heavies' N'Dea Davenport. The jazz-hop concoction worked wonderfully, and Guru went on to use similar formulas (and Blue Note Records-inspired artwork) on the next three Jazzmatazz albums, including Jazzmatazz Vol. 4: The Hip Hop Jazz Messenger Back to the Future, slated for release at the end of this month on Guru's own 7 Grand label. This time around, he enlisted the hip-hop chops of Common, Slum Village and Blackalicious together with smooth-jazzers Bob James, Ronnie Laws and David Sanborn.