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Recent Articles
Recent Articles by Nathan Lee
Jacques Rivettes Duchess puts a pomo spin on the oldest of love stories.
Before AIDS had a name, and after, in The Witnesses.
Status Update: Romero and his zombies are back to attack the Facebook generation.
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National Features >
SF Weekly
A blogger steals someone else's life story and calls it her own.
By Ashley Harrell
Miami New Times
The family of a dead judge blames a creeping fungus in the federal courthouse.
By Tim Elfrink
The Pitch
I worked at Kmart with John McCain's director of strategy.
By Alan Scherstuhl
Greetings from Toronto ...
Continued from page 1
Published on September 13, 2007
The spectacle of a teenage drunk collapsing on the sidewalk in a puddle of her own vomit outside the Ryerson Theater proved an auspicious grindhouse omen for the unruly (by Toronto standards) Midnight Madness premiere of George A. Romero's Diary of the Dead. I'll have more to say about this fierce and scrappy indie, about a world so fucked there's nothing left to do but record it, after visiting with the master in his Toronto home next week. There's little to report of Redacted, Brian De Palma's much-anticipated, mucho-disappointing drama of war crimes in Iraq, other than to note its uncanny deployment of the exact same form as Diary, both of which stream their shifting points of view across multiple video platforms (home movies, surveillance videos, blogs, cell-phone cams), but only one of which has bite ... and a deaf Amish badass who detonates the undead with dynamite and decapitates them with a scythe.