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  • Village Voice

    The Book of Sarah

    Subjected to the light of day, Sarah Palin doesn't look like a maverick at all.

    By Wayne Barrett

  • SF Weekly

    Building Overtime

    Exposing a construction-site scam only a San Francisco cop could love.

    By Joe Eskenazi

  • Houston Press

    Don't Nobody Cry

    Ronald Taylor is one of perhaps hundreds of innocent people Harris County has put in prison.

    By Randall Patterson

St. Vincent

Tuesday, September 18, Ogden Theatre, 1-866-468-7624.

By Tom Murphy

Published on September 13, 2007

The adventurousness of Kate Bush's quirky and consistently innovative music didn't just inspire Tori Amos's intense, introspective songwriting. Clearly, Annie Clark, performing under the name St. Vincent, has learned a thing or two from Bush's unique and artistically ambitious vision. Clark's songs have an oddly nostalgic feel to them, as though music from the past was coming back to haunt you. Perhaps it's the emotional immediacy of the songs that have this effect, not unlike PJ Harvey's best material. Clark — who's spent time in Glenn Branca's 100 Guitar Orchestra, Sufjan Stevens's touring outfit and the Polyphonic Spree — also seems to share Harvey's cinematic sensibilities, penning songs filled with heady atmospheres and well-orchestrated flares of emotion offset by moments of delicate beauty and tenderness. Have a taste for sublime pop that flirts with the dark side? Then St. Vincent is for you.


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