Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Reader's Picks

Top Recommendations

A short list of Denver's most popular hot spots.
user content provided by: LikeMe.net & Westword

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

  • Dallas Observer

    The Fight for Texas

    Rick Perry and Kay Bailey Hutchison are locked in a battle over the soul of the GOP. They're also running for governor.

    By Sam Merten

Amphibious Jones

Critters of Habit

Share

  • rss

By Tom Murphy

Published on September 25, 2007 at 8:36pm

Readers of Kurt Vonnegut's Cat's Cradle will never forget the final image of Bokonon thumbing his nose at God while the terminal freeze of ice-nine overcomes him. That unapologetic spirit of defiance against authority and tradition is summoned throughout this entire album. Oh, sure, a lot of the guitar work borrows heavily from glam shlocksters like Zebra and virtuosos such as Joe Satriani, and the songwriting may make you think you're catching a glimpse of musical hell circa 1988, but the members of Amphibious Jones use the tricks of '80s hard rock for a far more subversive effect, matching the excess and absurdity of their songs' subject matter. Once you get past the surface sheen, the dark core of each song becomes starkly obvious. Reverend Jimmy Curtis snarls irreverently about the hubris of our society and our species like an art-metal Johnny Rotten. The overall mood of the album resembles a Bill Hicks rant fusing cultural criticism with sublimely black humor.