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Recent Articles by Rick Skidmore

  • Sonic Syndicate

    Eden Fire (Pivotal Rockordings).

  • The Cult

    Monday, December 3, Fillmore Auditorium, 303-830-8497.

  • The Lawrence Arms

    Thursday, November 15, Marquis Theater, 1-866-468-7621.

  • Prong

    Wednesday, November 7, Larimer Lounge, 303-291-1007.

  • McRad

    Meet Chuck Treece, pro-skater, session musician and old-school punk.

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    The Book of Sarah

    Subjected to the light of day, Sarah Palin doesn't look like a maverick at all.

    By Wayne Barrett

  • SF Weekly

    Building Overtime

    Exposing a construction-site scam only a San Francisco cop could love.

    By Joe Eskenazi

  • Houston Press

    Don't Nobody Cry

    Ronald Taylor is one of perhaps hundreds of innocent people Harris County has put in prison.

    By Randall Patterson

McRad/Frontside Five

50/50 Split
Fivecore Records

By Rick Skidmore

Published on October 11, 2007

In 1984, Tony Hawk was doing a Frontside 5-0 to Lipslide Revert. Here we have skate punks Frontside Five and McRad reverting back to 1984, with the former inhabiting the thrash of D.R.I. and the latter remembering the Orwellian age through archival live tracks from the era. 50/50 Split (set for release this Friday, October 12, at 3 Kings Tavern) is a bit of a misnomer, as Frontside contributes eight tracks to McRad's eleven, but the styles, speeds and volumes contained within are the real disparities. Frontside Five is tighter than ever, filling the bowl with speedy riffage reared on Suicidal Tendencies. Drummer Robdogg blurs his sticks with gear-jamming precision. Spewing vicious tales of freestyling and flatuence, Brandon Stolz calls out skate tricks like a square-dance barker. McRad, meanwhile, offers up trippy dub that rises in smoky swirls. Odd production and jazzy street poetry supplant the need for hallucinogens. The first gig at CBGB provides the heavily echoed "Anthem," which follows a Specials ska formula, while the act's final performance, "Mondo's Revenge," breaks down in audience chaos.



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