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Recent Articles
Recent Articles by Michael Roberts
A hip-hop film series does more than scratch the surface.
Musician/author Daniel Grandboiss prose positively sings.
And learn to strike a balance between creativity and commerce.
Tuesday, July 8, Larimer Lounge, 303-291-1007.
Saturday, July 5, Gothic Theatre, 303-830-8497.
Related Articles
Wednesday, April 23, Fillmore Auditorium, 303-830-8497.
Peter Hook has found a new way to move the masses -- as a DJ.
Old and new collide to create the next wave of electronica.
National Features >
Broward-Palm Beach New Times
For Florida's sole remaining sex surrogate, love is a many splintered thing.
By Michael J. Mooney
City Pages
It's not just giant companies cashing in on America's defense industry.
By Jeff Severns Guntzel
The Pitch
How a throwaway idea at the Barkley ad agency became the "Sonic Guys."
By Justin Kendall
Houston Press
A diner's guide to Texas's oldest Mexican restaurants.
By Robb Walsh
Kraftwerk
Wednesday, April 23, Fillmore Auditorium, 303-830-8497.
Published on April 17, 2008
This is the kind of show that almost never comes to our fair city, or any other midsize burg between the coasts. Kraftwerk, a German ensemble co-founded in 1970 by Ralf Hütter and Florian Schneider, is a legitimate popular-music pioneer, introducing electronic music to the masses with "Autobahn," which hit the Top 40 in 1975. In the years that followed, the group established the template for virtually every popular electro act that's followed, and while its music might seem Teutonic, many tracks are oddly funky, which explains why rap pioneer Afrika Bambaataa used "Trans-Europe Express" as the primary sample for his own groundbreaker, 1982's "Planet Rock." There's no telling why the group decided to stop here — or in Milwaukee and Minneapolis, two other unlikely locales — on the way to a Coachella festival performance that caps a four-city U.S. tour. Perhaps Hütter and Schneider have trouble reading English maps. But New York and Los Angeles's loss is Denver's gain.