Most Popular
"Most Popular" tools sponsored by:
Blogs
Sun Jul 6, 10:59 AM
Fri Jul 4, 4:00 PM
Sat Jul 5, 11:32 AM
Fri Jul 4, 4:12 PM
Sat Jul 5, 9:40 AM
Sat Jul 5, 8:11 AM
Thu Jul 3, 5:32 PM
Thu Jul 3, 9:37 AM
Fri Jul 4, 4:12 PM
Fri Jul 4, 11:06 AM
Thu Jul 3, 3:51 PM
Thu Jul 3, 3:12 PM
Recent Articles
Recent Articles by Michael Roberts
A hip-hop film series does more than scratch the surface.
Musician/author Daniel Grandboiss prose positively sings.
And learn to strike a balance between creativity and commerce.
Tuesday, July 8, Larimer Lounge, 303-291-1007.
Saturday, July 5, Gothic Theatre, 303-830-8497.
Related Articles
Monday, April 28, 3 Kings Tavern, 303-777-7352.
Music City inspires songs of love and (mostly) hate.
Neko Case has yet to make the Opry, but her reputation as a new country pioneer is grand.
Backbeat writers sound off on a few of their favorite musical things from 2002.
National Features >
Broward-Palm Beach New Times
For Florida's sole remaining sex surrogate, love is a many splintered thing.
By Michael J. Mooney
City Pages
It's not just giant companies cashing in on America's defense industry.
By Jeff Severns Guntzel
The Pitch
How a throwaway idea at the Barkley ad agency became the "Sonic Guys."
By Justin Kendall
Houston Press
A diner's guide to Texas's oldest Mexican restaurants.
By Robb Walsh
Dale Watson
Monday, April 28, 3 Kings Tavern, 303-777-7352.
Published on April 24, 2008
No one can accuse Dale Watson of not being country enough. The Austin-based singer-songwriter, supported on this bill by Jim Dalton and Tony Nascar, has a bottomless bar-room voice, a wonderfully baroque delivery, and a pronounced ornery streak he proudly displays on "Country My Ass," in which he attacks watered-down C&W with the couplet "Force feed us that shit/Ain't you real tired of it?" Moreover, he actually lives the country life, as director Zalman King learned while making Crazy Again, a 2006 documentary in which Watson tells about the nervous breakdown he suffered after a car accident killed his girlfriend; during the worst moments of his madness, he believed Satan was talking to him directly. Watson's struggles, as well as his adventures, inform every note of his best recordings, including 2006's From the Cradle to the Grave, in ways that the Tims and Faiths and Kennys of the world can't possibly replicate. That, my friends, is country.