Most Popular
"Most Popular" tools sponsored by:
Blogs
Fri Jul 4, 4:00 PM
Fri Jul 4, 11:53 AM
Sat Jul 5, 11:32 AM
Fri Jul 4, 4:12 PM
Sat Jul 5, 9:40 AM
Sat Jul 5, 8:11 AM
Thu Jul 3, 5:32 PM
Thu Jul 3, 9:37 AM
Fri Jul 4, 4:12 PM
Fri Jul 4, 11:06 AM
Thu Jul 3, 3:51 PM
Thu Jul 3, 3:12 PM
Recent Articles
Recent Articles by Nick Hutchinson
D-Note
Family
Self-Released
Bluegrass legend Dr. Banjo is still plucking after all these years.
Definition of a Circle
Telarc Records
Friday, December 8, Quixote's True Blue; Saturday, December 9, Cervantes' Masterpiece Ballroom, 1-866-455-2263.
National Features >
Broward-Palm Beach New Times
For Florida's sole remaining sex surrogate, love is a many splintered thing.
By Michael J. Mooney
City Pages
It's not just giant companies cashing in on America's defense industry.
By Jeff Severns Guntzel
The Pitch
How a throwaway idea at the Barkley ad agency became the "Sonic Guys."
By Justin Kendall
Houston Press
A diner's guide to Texas's oldest Mexican restaurants.
By Robb Walsh
Otis Taylor
D-Note
Published on May 08, 2008
Never ceasing to till the soil in search of roots, Otis Taylor rolls up his sleeves and digs down to the origins of the banjo on his latest effort, Recapturing the Banjo. Not one to recycle popularly accepted notions of a genre or instrument (previous outings include a critically acclaimed re-examination of the blues), Taylor burrows past the more recognized bluegrass variety of banjo playing to unearth the instrument's African origins. The bluesman and his savvy compatriots, who include Keb' Mo', Corey Harris and Alvin Youngblood Hart, have no difficulty turning up the old world with an eclectic collection that includes original gems "Ran So Hard the Sun Went Down" and "Bow-legged Charlie," as well as covers such as the jug-band classic "Walk Right In." By blending a variety of material, like the claw-hammer-styled traditional "Little Liza Jane" and a bluesy banjo interpretation of Hendrix's "Hey Joe," Taylor loans further cred to his reputation as a thinking man's picker. A showcase of his latest effort at the D-Note this Friday, May 9, should provide compelling evidence that the banjo is far more than just a stage prop for minstrels and jesters.