Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Most Popular

Reader's Picks

Top Recommendations

A short list of Denver's most popular hot spots.
user content provided by: LikeMe.net & Westword

National Features >

  • Riverfront Times

    Where's the Beef?

    Allison Burgess stakes her reputation on mystery meat.

    By Aimee Levitt

  • City Pages

    Carp Killah

    Just in time for summer, it's again safe to fish with bows and arrows in Minnesota.

    By Bradley Campbell

  • Village Voice

    The Man in Our Mirror

    A black American's eulogy to Michael Jackson.

    By Greg Tate

  • Miami New Times

    Smoking Guns

    Miami's latest vice? Black-market cigarettes.

    By Tim Elfrink

Al Green

Lay It Down
Blue Note

Share

  • rss

By Michael Roberts

Published on May 20, 2008 at 7:53pm

Most producers who supervise reclamation projects for aging stars make the mistake of trying to contemporize the artist's sound — the equivalent of dressing your eighty-something Uncle Jake like a 21st-century club kid. Not so Roots drummer Amir "?uestlove" Thompson, who helmed the Al Green comeback platter Lay It Down. Instead of larding the tracks with loops, he aims for the gorgeous soul simplicity of Green's '70s-era classics. Sure, guest stars like John Legend turn up — but the focus stays on Green, who seems invigorated by the pristine settings heard on the title track, "Too Much" and the rest, including elegant horn work and Thompson's approximation of the singular Hi Rhythm Section that powered the Reverend's greatest hits. The enjoyable results prove that change isn't always good.