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    The Passion of Victoria Osteen

    A flight attendant's smackdown with the wife of mega-preacher Joel Osteen inspires a whole new set of commandments.

    By Rich Connelly

  • City Pages

    Your Field Guide to the RNC

    Today Denver, tomorrow the Twin Cities.

    By Matt Snyders and Bradley Campbell

  • The Pitch

    Star Power

    A country musician rescues Waylon Jennings' tour bus from the scrap heap.

    By C.J. Janovy

  • Village Voice

    Serrano's Second Movement

    The provocateur who brought you "Piss Christ" pinches off a new concept.

    By Lynn Yaeger

Weezer

Weezer
DGC/Interscope

By Michael Roberts

Published on June 19, 2008

Over the years, reviewers aplenty have wished for Weezer's Rivers Cuomo to grow up. But when he's occasionally tried to do so, the results have served as an argument for endless adolescence — at least until now. The group's latest self-titled release is practically a novelty disc, albeit a notably lazy one. The usual ten songs are padded out by a trio of tunes sung by the other bandmembers (only one, "Automatic," passes muster), and Cuomo's contributions include a moronic Chili Peppers rip ("Everybody Get Dangerous") and a flat-out embarrassing power-ballad satire ("Heart Songs"). Sure, "Troublemaker" sounds okay, and the single, "Pork and Beans," is dumb in a mildly enjoyable way. Overall, though, the disc feels phoned in, tossed off. Compared to this, a little maturity doesn't seem so bad.



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