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National Features >
City Pages
Michele Bachmann, Unmuzzled
You don't need to read Sarah Palin's book to hear the ravings of a mad woman.
By Matt Snyders
Miami New Times
Pimp Daddy
The rise and fall of a chubby sex-cult leader.
By Natalie O'Neill
Riverfront Times
Babe 'n' Arms
Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.
By Nicholas Phillips
Dallas Observer
The Fight for Texas
Rick Perry and Kay Bailey Hutchison are locked in a battle over the soul of the GOP. They're also running for governor.
By Sam Merten
The Verve
Forth
On Your Own
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By Michael Roberts
Published on August 19, 2008 at 8:40pm
After 1997's Urban Hymns proved to be a breakthrough for the Verve, frontman Richard Ashcroft went solo prematurely — and he was punished by having quite a bit of strong music be largely ignored. Now Ashcroft is back in the band, and on "Sit and Wonder," the lush opener, his form returns with him. But aside from "Love Is Noise," accented by seagull-like squawks that prove only moderately irritating, and the majestic "Appalachian Springs," the other material seems somewhat uninspired. "Numbness" is precisely what most listeners will feel when the tune lurches to its conclusion, "Valium Skies" can't quite rise to the occasion, and "Colombo" comes across as a medley in search of a song. Not so easy to pick up where you left off, is it?
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