Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Related Stories ...

Reader's Picks

Top Recommendations

A short list of Denver's most popular hot spots.
user content provided by: LikeMe.net & Westword

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

  • Dallas Observer

    The Fight for Texas

    Rick Perry and Kay Bailey Hutchison are locked in a battle over the soul of the GOP. They're also running for governor.

    By Sam Merten

David Byrne & Brian Eno

Everything That Happens Will Happen Today
EverythingThatHappens.com

Share

  • rss

By Michael Roberts

Published on August 26, 2008 at 9:18pm

My Life in the Bush of Ghosts, released in 1981 (and recently reissued), was an attempt by David Byrne and Brian Eno to forge new territory via found sounds, samples and assorted Africanisms that foreshadowed a good many musical trends. In contrast, Everything That Happens represents a retrenchment, albeit an often pleasant one. Eno's musical settings recall the curious warmth of his mid-'70s recordings, and their sonic consistency prevents Byrne from indulging in the sort of genre exercises that have made his post-Talking Heads solo work so spotty. The most Heads-like offerings, such as "I Feel My Stuff" and "Poor Boy," often seem forced. But comparatively serene ditties, like "Home," "The River" and "One Fine Day," offer deep, lovely moments, their lack of adventurousness notwithstanding.