Recent Articles

Recent Articles by Tom Murphy

National Features >

  • Riverfront Times

    Prized Fighter

    Boxing in St. Louis will never die--not as long as Kenny Loehr has a kid in the ring.

    By Kristen Hinman

  • Houston Press

    Crime Doesn't Pay Back

    In Texas, restitution for victims is nothing but a state-sanctioned sham.

    By Chris Vogel

  • Seattle Weekly

    Hot and Frothy

    If you thought Seattle couldn't fetishize coffee any more, you haven't been to a "cupping" yet.

    By Jonathan Kauffman

Requiem in Black

Revolution NationRevolution Recordz

By Tom Murphy

Published on October 08, 2008 at 11:23am

Requiem in Black isn't breaking new ground with this release, but it's an artistic breakthrough for the band. A lot of the more recent goth and dark electronic music is completely lacking in anything human, but rather than plunge into the EBM morass, Requiem draws on more vital, older influences, girded by vocals that are refreshingly not faux-operatic, but warm and sultry, like those of Alison Moyet. The sequencing and songwriting is closer to 1984 soundtrack-era Eurythmics, sweeping synth swells and all. The finest moments here include "Convince Yourself," which could be filed under goth soul, and "Worthless," which despite its Heathers and Breakfast Club samples and the notably angry/spooky tone, is a down-tempo club hit waiting to happen.



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