Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

National Features >

  • Village Voice

    The Great Walls of Chinatown

    With the exception of the electric rice cookers, this Bowery tenement could have come straight from the Nineteenth Century.

    By Elizabeth Dwoskin

  • Houston Press

    Getting Off

    DUI attorney Tyler Flood wins 80 percent of his trials--even if his clients were 100 percent drunk.

    By Mike Giglio

  • Miami New Times

    Park or Die Tryin'

    From the homeless parking mafia to the meter fairy, finding a spot in Miami has taken a turn toward the surreal.

    By Gus Garcia-Roberts

  • City Pages

    The Baddest Men on the Planet

    Straight from the Sam's Club tire shop, Brett Rogers prepares to meet Fedor Emelianenko in mortal combat.

    By Bradley Campbell

Painting by numbers never creates great art

Share

  • rss

By Patricia Calhoun

Published on October 29, 2008 at 10:09am

Sean Rice was the first gallery owner to discover that the city had wiped out a wall of urban art. It was just before the Democratic National Convention hit town, and Denver's graffiti cleanup crew, called out to deal with tagging in the Ballpark neighborhood, decided to give nearby Orange Cat Studios, at 2625 Larimer Street, a free paint job — covering a mural that could cost thousands to replace ("Blankety-Blank," September 4).

Rice sent the city attorney's office an estimate of $12 per square foot, "the cheapest I found," to make good on its bad move. "They told me how sorry they were, how they'd like to work something out, and how broke the city was," Rice says. He's beginning to think he contacted the wrong lawyer: Painting by numbers never creates great art.

But over at The Other Side Arts, at 1644 Platte Street, a conclusion is in sight for the controversy that saw two outdoor murals on the gallery painted over by cops in riot gear the day before the DNC. And that conclusion will be something that everyone in town can see: new art on the outside of the building. "We've been working with the Denver Office of Cultural Affairs," explains TOSA's Crissy Robinette. "We're just waiting to see some kind of contract from the city. We are going to have a committee and request submissions from local artists."

Even TOSA's landlord will sit on the committee, which will consider proposals for city-funded replacement murals that deal with the subject of censorship and free speech.

But already a creator of one of the original murals, Mario Zoots, is speaking freely about his displeasure with this solution. "Our artist collective supplied all our own paint and did a mural for free on TOSA, which is documented on YouTube," he says, complaining that now TOSA has invited the crew to do just a portion of the replacement. "Graffiti is the truest and most expressive art form there is, but the least respected," he adds. "Denver has a lot to learn about art, even in our alternative spaces."

And the lessons just keep on coming.