By Joel Warner
By Michael Roberts
By Alan Prendergast
By Michael Roberts
By Michael Roberts
By Amber Taufen
By Patricia Calhoun
By William Breathes
The Saturday, February 28, edition of the Denver Post — the paper's first since the Rocky Mountain News put out its final issue the previous day — featured scads of in-house ads meant to convince Rocky readers that subscribing to the Post wouldn't constitute an act of disloyalty. Most of these displays affected a charitable tone, as did Dean Singleton, vice chairman and CEO of MediaNews Group, the Post's owner, during remarks at a February 26 press conference about the Rocky's demise. "We're not here because one newspaper beat the other newspaper," but due to changing economics that made it impossible for Denver to support two major dailies, Singleton had emphasized. Nonetheless, a full-page spread in the Saturday sports section (it turned up on Sunday, too) felt considerably less gracious. The spot was dominated by a black-and-white photograph of an empty boxing ring over which a headline read, "We feel a little like Ali without Frazier."
For sports fans who know even a little bit about the history of boxing, this message was freighted with symbolism. Note that Muhammad Ali and Joe Frazier met three times during the first half of the 1970s, with Ali emerging victorious in two of those matches en route to becoming his generation's ultimate pugilistic icon. Hence, the ad equated the Post with an athlete nicknamed "The Greatest" even as it dismissed the Rocky as a scrappy underdog whose main achievement (after almost 150 years of existence) was to help its opponent hit exalted heights.
Now that the Post has reached this pinnacle, it apparently can maintain excellence without goading from its longtime rival. At the aforementioned press conference, Post editor Greg Moore said fear that his paper's quality would drop now that the Rocky is gone isn't among his top four worries.
And what made his list? "None of your business," he declared, to the amusement of the media on hand to quiz the assembled executives — among them Rich Boehne, president and CEO of E.W. Scripps, and John Temple, the Rocky's editor, publisher and president (who subsequently announced that he won't be taking a position with the company). After the laughter subsided, however, Moore made it clear that he isn't entirely free of concerns. He just prefers to share his trepidations privately with his staff, not at an event being streamed live by a gaggle of local news outlets.
This acknowledgement was far more believable than the faux humbleness being pushed by the Post's promotions department. In truth, the Post has a long way to go before becoming the broadsheet Ali. The paper's stacked with strong, talented reporters and editors, and the addition of numerous big names from the Rocky only adds to its strength in this area. And yet, despite having more resources than any other news organization in town, not to mention an owner — Singleton — with oversized ambitions and a continuing (and increasingly rare) belief in the future of newspapering, the Post is often dull, unimaginative and risk-averse, particularly in comparison to its late, lamented adversary. If the Post rests on its laurels now, it could soon join the Rocky as part of journalism history. And given the sorry state of the newspaper business these days, even retaining at least 80 percent of Rocky subscribers (Singleton's pie-in-the-sky, historically unprecedented goal) is no guarantee of long-term survival.
Granted, Singleton sounded confident that the Post would thrive. But he also admitted that he might have been forced to close the paper if his desire to keep operating in the town where he lives had been weaker, and "if Scripps had wanted badly to stay in the market" — a claim Boehne has echoed more than once.
Boehne's words didn't answer the rhetorical question posed by Rocky reporter April Washington after the December announcement that Scripps was putting the tabloid up for sale: "Why does Scripps always blink first?" But clearly Scripps had done so even though the Rocky had a higher circulation than did the Post, whose numbers were often propped up by smoke-and-mirrors trickery (like third-party sales, in which advertisers paid for papers to be delivered to non-subscribers) intended to make the contest seem closer than it really was.
Scripps's disinterest in keeping up the fight proved a blessing for the Post, whose financial health has been in dispute for months. According to a late-January article by Rocky business reporter David Milstead, the Denver Newspaper Agency, which handled business matters for the Post and the Rocky under a joint operating agreement, paid millions in newsroom expenses to keep the Post going — but it couldn't do so again because, Milstead wrote, "the agency's credit has dried up and the banks will not lend it any more money." Although MediaNews Group reacted angrily to this claim, charging Milstead with unspecified errors in a press release, the gist of his piece appears to have been accurate. At the press conference, Singleton conceded under Milstead's questioning that the DNA might have been a candidate for bankruptcy "had we not gotten our costs down" via agreements with various unions resulting in pay and compensation cuts estimated at 11.7 percent. For Singleton's creditors, this deal was a pretext for renegotiating a payment plan on a backbreaking $130 million debt associated with a state-of-the-art printing press that came online in 2007. Singleton hopes to finalize this arrangement once labor pacts with the DNA and the Post are ratified.