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Martin Sexton

Thursday, March 19, Boulder Theater, Boulder, 303-786-7030.

Martin Sexton is a singer's singer. Whereas most male vocalists are tethered by timbre to a particular style, Sexton bends his voice with the fluid flexibility of a skilled instrumentalist, adapting to fit his frequent stylistic tangents with aplomb. An instrumental analogy is apt, as Sexton is equally likely to employ his vocal cords for non-verbal effect. For a lesser vocalist, it would be a dangerous enterprise, at best, to make such frequent use of potentially contrived-sounding techniques like scat singing, whistling and (most alarmingly) vocal simulation of actual instruments. Sexton does it so casually and effectively, though, that it never feels out of place or affected. He's no slouch with an actual instrument, either, frequently relying on an acoustic guitar as backup to his vocal shenanigans. The guitar becomes an extension of his voice (or vice versa), and the two share the duty — and the spotlight — with equal verve and charm.

 
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