By Lori Midson
By Cafe Society
By Cafe Society
By Lori Midson
By Mark Antonation
By Nathalia Velez
By Jonathan Shikes
By Alex Brown
See more photos of Bones at westword.com/slideshow.
The first time I set foot inside Bones, I was drunk. I went there to meet a friend, eat some noodles and sober up before driving home. Nancy had beaten me there by a good twenty minutes, found a couple of seats at the bar, gotten a drink for herself and a tall water for me. Politely, she'd managed to hold off on ordering food until I arrived — stepping in out of the cold into the lovely warmth and steam of Frank Bonanno's tiny space at Seventh and Grant. We meant only to have a quick little snack.
Two hours later, we'd eaten almost everything on the menu. And we would have happily kept eating except for the very real fear that, like Mr. Creosote, if we had just one more bite of anything, we might pop.
701 Grant St.
Denver, CO 80203
Region: Central Denver
Bonanno had first told me he was opening a new restaurant, "a noodle bar," back in October. He'd talked about the space (the ex-Sparrow Cafe, gone dark when Sparrow left the neighborhood) and how, since he'd put his office on the second floor of this building sandwiched between Mizuna and Luca d'Italia, he'd been trying to buy the spot forever. He'd talked about industry nights and patio season, about sourcing noodles (because he was smart enough not to try to make them himself) and, of course, about David Chang's Momofuku restaurants in New York — at that moment, some of the hottest, most talked-about joints in the country following a killer piece in the New Yorker. And he'd talked about losing money: "Why would I want to follow one huge, successful restaurant [Osteria Marco] with another? Instead, I'm gonna open a small, fun one that's gonna lose money every night."
Bonanno does that a lot — loses money on purpose. Back in the day, he'd serve foie gras at a loss at Mizuna just because he wanted to give customers a decent portion without charging forty bucks. At Luca, the loss leader was black cod, a hit he was willing to take in order to serve a nice piece of fish below market, knowing he'd make it up again on the apps, at the bar, somewhere. Because Bonanno is a man who knows how to make money (when he's working on his own, at least, without the interference of partners outside his tight circle of Praetorians), he's a man who's never worried about losing it. Work hard, do good work, never doubt, never fail, and it all comes back in the end.
Mostly, though, Bonanno had talked about food, and about how the food at his noodle bar would work. First, it wasn't going to be an Asian restaurant. It wouldn't have an Asian name (Bones is a nickname of Frank's from back in the old neighborhood) and it wouldn't have an Asian menu. Not really. It would have a menu with Asian things on it — Chinese and Japanese and Thai and Vietnamese — but it would also have French things. Mediterranean things and Spanish things. Inarguably American things. It would be a menu sans definition, which meant a playground where Bonanno and his crew could cook whatever they felt like cooking for customers who'd appreciate that sort of freedom — namely, other cooks. Roasted bone marrow as an app? Yeah, baby. Crab cakes and shumai. Fried black cod (again) and escargot done in different ways. Chinese char siu bao made with roasted suckling pig. Jesus, I was dying just sitting at my desk and listening to him talk.
So was every chef and line cook in town, along with the hard-core eaters who would gladly step on each other's necks to get through the door of a place serving suckling-pig steamed buns and bone marrow. Surprisingly, Bonanno got the doors open early, at the end of December — and then he surprised everyone again by taking up post behind the counter and cooking straight through the first month himself. Those steamed buns? Those were Bonanno's steamed buns, served from his hand. The ba mee noodle bowl came from his head, from his line, from his kitchen, to your table.
And this, of course, nearly killed me.
I've met Bonanno a couple of times. Never deliberately; I've never sat down for a beer with the guy or anything. But over the past half-dozen years, we've occasionally crossed paths at events and such, and if pressed, the guy could probably pick me out of a crowd. Picking me out at a counter from just a couple of feet away would be a lot easier. I didn't want Bonanno to know the first time I went to Bones. More than that, I didn't want to eat his noodles or buns — even though I might have been the only one in the city who didn't. I wanted Bones's buns and Bones's noodles and Bones's best work, but nothing more than that. I wanted what everyone else was going to be getting, which meant I had to wait.
And then another month, when I'd walk up to the door, spot Bonanno making an unscheduled appearance at Bones, and veer off to another spot in the neighborhood. Through all this, I was getting messages from Bonanno. Taunting me. He'd text me — "Haven't seen you at Bones yet" — and I'd be sitting at my desk, drooling over the menu like it was porn, listening to friends and friends-of-friends raving about the tempura black cod and marrow and udon.