Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Related Stories ...

Reader's Picks

Top Recommendations

A short list of Denver's most popular hot spots.
user content provided by: LikeMe.net & Westword

National Features >

  • Village Voice

    The Great Walls of Chinatown

    With the exception of the electric rice cookers, this Bowery tenement could have come straight from the Nineteenth Century.

    By Elizabeth Dwoskin

  • Houston Press

    Getting Off

    DUI attorney Tyler Flood wins 80 percent of his trials--even if his clients were 100 percent drunk.

    By Mike Giglio

  • Miami New Times

    Park or Die Tryin'

    From the homeless parking mafia to the meter fairy, finding a spot in Miami has taken a turn toward the surreal.

    By Gus Garcia-Roberts

  • City Pages

    The Baddest Men on the Planet

    Straight from the Sam's Club tire shop, Brett Rogers prepares to meet Fedor Emelianenko in mortal combat.

    By Bradley Campbell

Otis Taylor

Pentatonic Wars and Love Songs
Telarc

Share

  • rss

By Tom Murphy

Published on June 23, 2009 at 12:01pm

Otis Taylor's tenth album (issued locally this Thursday, June 25, at the Toad Tavern, in the company of John-Alex Mason) explores more love and its myriad aspects across thirteen tracks than most songwriters have or will in an entire career. And he does so with the soulful and colorful storytelling that has made his past efforts so noteworthy. Some of the most powerful moments on the album come from its gentle sections, such as the mournful "Lost My Guitar" and the tail end of "I'm Not Mysterious." Elsewhere, "Talking About It Blues" is reminiscent of mid-'70s Gil Scott-Heron, and Ron Miles's almost atonal cornet work in the background is utterly haunting. Fusing blues and jazz with solid results throughout, this may be Taylor's finest hour.