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    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

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    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

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    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

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    The Fight for Texas

    Rick Perry and Kay Bailey Hutchison are locked in a battle over the soul of the GOP. They're also running for governor.

    By Sam Merten

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By Juliet Wittman

Published on September 26, 2009 at 1:00am

In A Murder One Less, a quantum-physics-inspired piece, a man (Brandon Kruhm) sits on a bench, naked to the waist, contemplating his hands, his body tattooed with words you can’t quite make out. An Eleanor Rigby-ish young woman (Julie Rada, who also wrote the script) enters; two suitcases dangle from a yoke around her neck. The man describes her thoughts and actions; she in turn describes his. Certain images recur. They speak of “a murder of crows,” of moths and lions, of postmen and bathrooms. There’s a lot of water: It drips from one of her cases and soaks the pages she periodically retrieves from it. We learn that the man’s house is sentient and highly intelligent. It likes Heidegger and Nietzsche, amuses itself by creating theories and conducting experiments. All this could be both boring and pretentious, but instead it's mesmerizing. You find yourself reflecting on time and space and the evocative power of objects, and Rada's encounter with the house is a little reminiscent of Alice's problems with the ever-shrinking White Rabbit residence. See Murder on Friday and Saturday, September 25 and 26, only at BINDERY/space, 2180 Stout Street; call 720-221-3821 or go to www.vicioustrap.com.
Fri., Sept. 25, 8 p.m.; Sat., Sept. 26, 8 p.m., 2009