Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Reader's Picks

Top Recommendations

A short list of Denver's most popular hot spots.
user content provided by: LikeMe.net & Westword

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

  • Dallas Observer

    The Fight for Texas

    Rick Perry and Kay Bailey Hutchison are locked in a battle over the soul of the GOP. They're also running for governor.

    By Sam Merten

Hot White

Hot White
Self-released

Share

  • rss

By Tom Murphy

Published on November 10, 2009 at 11:40am

Nightmarishly fragmented noise rock wracks the six tracks of Hot White's debut. Clearly taking some artistic cues from the likes of Lightning Bolt, Chinese Stars and 31G artists in general, this album might sound like thornily organized chaos. Darren Kulback's powerful and creatively precise drumming grounds each song even as it seems Kulback himself might go off the rails, too. Kevin Wesley's guitar work is part warped dentist drill, part atonal warning siren spiraling around the rhythm like a caustic vortex of sound. Tiana Bernard's bass playing is insistent and menacing on its own, and her vocals are reminiscent of Teenage Jesus-era Lydia Lunch with similarly disturbing lyrical content, including a song about a famous Japanese cannibal murderer called "Issei Sagawa Thought She Was Totally Delicious." Beautifully abrasive and wild from beginning to end.