Ghostland Observatory tops a stacked bill at this weekend's Westword Music Showcase

It pretty much goes without saying at this point that this is going to be the best Showcase yet. Just take a look at this year's headliners. Your dance card will be full from the time the gates open at 11:30 a.m. until BoomBox leads Saturday into Sunday at City Hall. Find in-depth Q&As with each of these acts online at

Ghostland Observatory

8:30-9:55 p.m. Main Stage

Ghostland Observatory tops this year's Showcase bill.
Ghostland Observatory tops this year's Showcase bill.

Formed in Austin in 2004, Ghostland Observatory has evolved its sound from the raw, noisy electro funk of its earlier releases into something more danceable. Equal parts electro, psychedelia and glam rock, the group's songs pivot on Thomas Turner's signature vocals, which resemble Freddie Mercury's voice fused with Cedric Bixler-Zavala's, and the sultry electronic treatments of Aaron Behrens, which recall the soundtrack work of Giorgio Moroder. With a spectacular live show that matches its music, Ghostland plays each gig like an arena-rock act, with a dazzling light show, KISS-like stage raps, histrionic antics and larger-than-life stage personas. With Ghostland Observatory, which releases all of its own records through its Trashy Moped imprint, it's all about giving fans a one-of-a-kind experience they'll remember.


7:00-8:15 p.m. Main Stage

Although never quite becoming underground-rockers-turned-superstars like R.E.M. or Pavement, Superchunk is nevertheless the band that truly embodies the term "indie rock." First with its sound, of course — which is part jangle and part edgy, with intelligent, thoughtful lyrics and tastefully quiet breaks between louder sections of music, all delivered with the defiant energy of punk rock — but mostly with its ideals. Rather than be taken in by the seductive lure of the majors long after Sonic Youth and R.E.M. proved it wasn't an artistic dead end, the North Carolina-based outfit opted to put its music out its own label, Merge Records, one of the most successful and respected independent labels of all time. Musically, the band made its mark from the beginning with the classic 1989 single "Slack Motherfucker," and with its new album, Majesty Shredding, Superchunk cements its legendary status.

Dirty Projectors

5:45-6:45 p.m. Main Stage

Before performing as Dirty Projectors, Dave Longstreth put out his first album, 2002's The Graceful Fallen Mango, on Chris Adolf's (Bad Weather California) label, This Heart Plays Records. Longstreth's profile has increased notably since, thanks to his innovative approach to indie rock. Mixing in soul, R&B and various traditions from around the world, Longstreth has produced some of the most interesting hybrids of recent years. The Black Flag covers album, 2007's Rise Above, boldly took some of the most arch and intense songs ever recorded and turned them into tropical pop tunes without blunting the messages. For 2009's Bitte Orca, the Brooklyn band spliced zydeco and Indian pop with their own core sound. Quirky and idiosyncratic, Dirty Projectors is a modern-day Talking Heads.

Neon Indian

4:30-5:30 p.m. Main Stage

Starting in Denton, Texas, in 2008, Neon Indian has already had its share of accomplishments. Now based in Brooklyn, New York, primary songwriter Alan Palomo, still in his early twenties, released the remarkably well-realized album Psychic Chasms in the fall of 2009 to positive reviews, with two of its songs being declared among the top 100 tracks of 2009 by Pitchfork. Although lumped in with the "chillwave" movement, Neon Indian writes songs that are warm, suggesting kaleidoscopic colors and sunny days. If you could make an animated video using mobile stained-glass images minus the austerity, it would fit Palomo's songs perfectly. With a live show reminiscent of the otherworldly vibe of a Black Moth Super Rainbow performance, Neon Indian is a refreshingly memorable and powerful electro-psychedelic act.

Jonathan Tyler &

the Northern Lights

3:15-4:15 p.m. Main Stage

With the most recent wave of neo-classic rock coming to the forefront with the popularity of bands like Kings of Leon, there has been no shortage of acts emulating '60s and '70s hard rock in all its forms. Jonathan Tyler & the Northern Lights aren't exactly reinventing that music, but the group's particular take on emphasizing the bluesy edge of rock and roll sounds credible rather than like a punched-up Blueshammer. Hailing from Dallas, Texas, and fronted, of course, by Jonathan Tyler, the Northern Lights have been making waves since debuting in 2007, thanks to their fiery live shows and Tyler's magnetic stage persona. Topping off the bluesy hard rock with a touch of soul, this act is kindred to rock-and-soul acts like the Bell Rays and Earl Greyhound, but these guys bring a sharp Southern flavor rather than the smoky grit of Detroit. Brash, bombastic and youthfully energetic, this is a band to keep your eye on.

Tickle Me Pink

2:30-3:00 p.m. Main Stage

Tickle Me Pink released its first EP, If Only We Were Twenty One and Up, in 2005, when its members were just out of high school. The band became popular in Fort Collins and quickly gained a following all along the Front Range over the course of the ensuing three years. After gaining the endorsement of KTCL, Wind-Up Records picked up the band and released its debut full-length, Madeline, on July 1, 2008. In a cruel twist of fate, that same date marked the untimely passing of talented bass player Johnny Schou. In the wake of this tragedy, the bandmembers recruited Joey Barba (Brotherhood of Dae Han) to join them in time for their 2008 tour with Hawthorne Heights. Lumped in with the whole "emo" thing of the past decade, Tickle Me Pink is more akin to the melodic punk rock of Hot Water Music. Pink's recently released EP, On Your Way Down, proves this band is far more than a one-hit wonder.

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