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Corduroy building: Construction of the Clyfford Still Museum begins

After years of anticipation, construction of a new Clyfford Still Museum at the corner of West 13th Avenue and Bannock Street is finally moving forward. Last week, Dean Sobel, the CSM's founding director, and Brad Cloepfil, the head of Allied Works Architecture, unveiled the final design for the museum, which will house a collection of 2,400 paintings and other works by the renowned abstract expressionist.

The crowd assembled in the Sharp Auditorium of the Denver Art Museum's Hamilton Building was heavy with local architects, including Steve Chucovich. This made me wonder what a building conceived by him would have looked like. But Chucovich wasn't picked for the job. In fact, no Denver architects were even considered.

"Unlike many architectural projects in which the most significant features come late in the construction, like the titanium on the Hamilton Building, our building will start to reveal itself very, very soon," Sobel said. "In August, the contractors will start building forty-foot vertical forms that will be the basis for our concrete walls. And the concrete actually is not only the structure of our building, that which holds it up, but it's also the form-giver, that which determines the spaces of our two stories, and it's our skin."

That skin has a distinctive feature: vertical ridges made by allowing the liquid concrete to seep through the forms. When set, this will result in a corduroy-like surface. These ridges will catch the light, casting shadows on themselves. Cloepfil said the light is an important aspect in his design and that skylights will allow the sun to shine inside, though it will be diffused and filtered. Still's daughter, Sandra Still Campbell, spoke from the audience, recalling that her father believed that "light makes the paintings live."

Cloepfil claimed that his design emerged from his consideration of Denver, of the site, of the building's notable neighbors and of Still's work. However, since the building is signature Cloepfil, none of these things are remotely true. But the building is stunning anyway. And it promises to be a handsome neo-modernist creation that will sit quietly at the southwest edge of the greater Civic Center area, welcoming Still fans from all over the world.

 
  • DenverCitizen 08/06/2010 12:41:00 AM

    Mr. Paglia, P Please make up your mind. P You bemoan the fact no Denver architects were even considered for the Clyfford Still Museum, yet you didn't have the same reaction about Calatrava riding into town. P You give Calatrava a pass on his sycophantic sales job trying to pass off his signature white designs as his responding to local context, yet you perceptively call out Cloepfil's ruse: "Cloepfil claimed that his design emerged from his consideration of Denver, of the site, of the building's notable neighbors and of Still's work. However, since the building is signature Cloepfil, none of these things are remotely true" P This is a positive architecture-loving article, yet you take a cheap pot shot at Cloepfil in you August 5, 2010 (web posted on the 4th) article " Taking off: Santiago Calatrava has spectacular designs on DIA" by saying: "Last week was a special time in Denver for people, like me, who love architecture. A few days before the Calatrava presentation, Brad Cloepfil, the head of Allied Works Architecture, unveiled his final design for the Clyfford Still Museum (see Artbeat, page 37). Having a front-row seat for both events, I was struck by the extreme contrast between the two famous architects. Cloepfil's design was good, but the architect reminded me of actor Vince Vaughn: someone with a little talent and a lot of luck. Calatrava, on the other hand, was more like Marlon Brando: a genius who was born to change the face of his medium." P Why the erratic critic mood swings? What about some 'sober' (as in "showing no excessive or extreme qualities of fancy, emotion, or prejudice") consistency? Make up your mind. Please. P Regards, A longtime fan of your section

 
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