The Hauser that Herzog Built

There are many reasons that Pablo Kjolseth, longtime director of CU-Boulder’s International Film Series, decided that Werner Herzog’s lovely The Enigma of Kaspar Hauser, based on the true story of a man who spent the first twenty years of his life locked in a basement, was a good choice to kick off his fall schedule. Though it’s a less obvious Herzog film to screen, its star, Bruno S., died in August, so it doubles as a tribute to a strange but touching figure in movie history. Plus, IFS is launching a Wednesday-night showcase of great directors, so Herzog is a natural. At the same time, the classic distributor New Yorker Films, known for its quality roster of films (including Herzog’s ), is making a notable comeback. And New Yorker just happened to have a fairly new 35mm print of Kaspar Hauser that’s in great shape.

Related Content

• CU-Boulder ranks as top Peace Corps volunteer-producing university
  January 25, 2012
• Herzog's Into the Abyss explores crime and the human soul
  November 17, 2011
• Reader: Safe-sex talk is cheap, but giving away condoms is free -- and can save lives
  December 2, 2011
• Coming soon: Over Your Cities Grass Will Grow at the International Film Series
  September 20, 2011
• Strawberry Shortcuts
  January 12, 2012

More About

• Werner Herzog
• Pablo Kjolseth
• Kaspar Hauser
• University of Colorado at Boulder
• Arts, Entertainment, and Media

“It seemed ordained by the gods,” Kjolseth says. “New Yorker is synonymous with Herzog’s finest work, so I feel it’s the perfect way to launch the series.”

But there is also an ulterior motive: “I’ve seen the film several times, but it was always on a 16mm print. I’ve personally never seen it before on 35mm film, so there is a little bit of a selfish component, too,” Kjolseth admits. A firm advocate of celluloid over newer digital technologies, he’s bent on exposing young audiences to great films they’ve never heard of, such as Kaspar Hauser. It’s a gamble, but one worth taking. “That’s one thing that differentiates us from other series. A growing number of festivals are all going more and more digital. I do understand what’s good about digital, but for me it’s a format issue; there is a difference in the formats. We only do a few things on digital; everything else is 35mm. And I still have a human being in the booth, and he’s a professional.”

See Kaspar Hauser tonight at 7 or 9:15 p.m. in Muenzinger Hall on the CU-Boulder campus; admission is $5 to $6. for a complete fall schedule, go to www.internationalfilmseries.com.
Wed., Sept. 8, 7 & 9:15 p.m., 2010