By Show and Tell
By Bree Davies
By Bree Davies
By Cory Casciato
By Emilie Johnson
By Robin Edwards
By Bree Davis
By Josiah M. Hesse
Abstracts. Summer is typically the time for group shows, and this year the William Havu Gallery presented two of them. First was Landscapes, a survey of the many artists in Havu's stable who do representational work. Up now is Abstracts. Gallery director Bill Havu has some of the state's top abstract painters and sculptors signed up, and even though he didn't use all of them, there's plenty of work worth seeing, including the sharp-looking paintings by Monroe Hodder, Emilio Lobato and Amy Metier, along with some intriguing sculptures by Robert Delaney and Erick C. Johnson. Interestingly, one of Havu's artists, Sushe Felix, was represented in both Landscapes and Abstracts, reflecting her aesthetic split personality: She creates transcendental landscapes and geometric abstractions simultaneously. Some pieces by idiosyncratic artist Homare Ikeda have also been added. Through September 11 at the William Havu Gallery, 1040 Cherokee Street, 303-893-2360, www.williamhavugallery.com.
Energy Effects. MCA Denver director Adam Lerner and architect Paul Andersen have put together one of the most important of the many Biennial shows on display now. The exhibit, with the epic title of Energy Effects: Art and Artifacts from the Landscape of Glorious Excess, begins outside the building where Gonzalo Lebrija's sculpture from his "Between Life and Death" series has been installed. The sculpture depicts a car set vertically over a reflecting puddle and the artist has used an actual car and puddle to do it. This is one of the coolest sculptures in town and it's an index to the show because as suggested by its title, the exhibit explores how energy is expended, and not how it's conserved. Once inside you'll notice two interventions in the atrium, one of which, Ciro Najle's "cumulus" hangs from the ceiling, and the other, Orly Genger's "Reg", inappropriately blocks our path. Both pair nature with science, the two poles of the show, with pieces by Viviane Le Courtois, Martha Russo and Janine Gordon referring to nature, while Don Stinson, Willard Wigan and Jim Sanborn, salute science. Through September 13 at MCA Denver, 1485 Delgany Street, 303-298-7554, www.mcadenver.org. Reviewed July 15.
Exposure. Eric Paddock is the Denver Art Museum's first full-fledged photo curator to head up his own new department. To unveil the permanent gallery for photography in the Ponti tower, he's put together Exposure: Photos From the Vault, highlighting a range of gems from the DAM's collection. Collected in fits and spurts, the museum's photo holdings are very uneven, but as Paddock proves with this show, there are a lot of masterworks in it anyway. As could be expected, considering the impressive Wolf Collection of early Western landscapes, there are quite a few pieces by the pioneers of that field, notably Carleton Watkins. And there are a number of well-known photos by famous modern photographers like Diane Arbus, Ansel Adams and Garry Winogrand. Another important feature of the exhibit is the inclusion of many Colorado photographers, including Kevin O'Connell and Wes Kennedy. This aspect is not unexpected coming from a curator who spent most of his career at the Colorado Historical Society. Through October 31, at the Denver Art Museum, 100 West 14th Avenue Parkway, 720-865-5000. www.denverartmuseum.org. Reviewed May 20.
Maria Cristina Carlini. This is an outdoor sculpture show dedicated to a contemporary Italian artist. On display at both the Rocky Mountain College of Art and Design campus and the Auraria Campus, it represents an unprecedented act of cooperation between the two institutions and was curated by Cortney Stell, director of RMCAD's Philip J. Steele Gallery. The four large Carlinis are scattered around the beautiful RMCAD campus, which has a series of small historic buildings and lovely historic flower beds. One of them, "Out and Inside," has been given to the campus and will remain there after the show comes down. The work is like a pair of three-dimensional puzzle pieces set on end. The Auraria portion of the show includes three more monumental Carlinis, all sited near the Emmanuel Gallery. Among these is "Madre," which has been given to Auraria and is now part of its permanent collection. Through October 1 at RMCAD, 1600 Pierce Street, Lakewood, 303-753-6046, www.rmcad.edu, and the Auraria campus, Colfax Avenue and Speer Boulevard. Reviewed August 12.
Memory Trips. This strong solo is dedicated to recent work by Dan Ellier Chapman, a contemporary realist who is currently finishing his art degree at the University of Colorado Denver. Chapman's style definitely reveals the influence of his mentor, John Hull, who used to teach at UCD. This is especially true regarding Chapman's choice of subjects: real-life people seen on the streets of Denver. Professors Mary Connelly and Vivian George have also profoundly impacted his work, he says, though their influence is more subtle. Chapman has a number of strengths. He expertly applies the pigments in thin even layers, and he has a photographer's eye for details, with his pieces being fanatically accurate depictions of people in the urban environment. Finally, there's his imaginative sense for composition, as in "Jake, East Colfax," where the figure is centered in the right half of the horizontal picture, with the street scene receding behind on the left. If this show is any indication, Chapman's headed for the top of the heap around here. Through September 11 at Dark Energy Art Space, 860 West Eighth Avenue, 303-719-0021, www.darkenergyartspace.com.