By Show and Tell
By Bree Davies
By Bree Davies
By Cory Casciato
By Emilie Johnson
By Robin Edwards
By Bree Davis
By Josiah M. Hesse
Exposure. Eric Paddock is the Denver Art Museum's first full-fledged photo curator to head up his own new department. To unveil the permanent gallery for photography in the Ponti tower, he's put together Exposure: Photos From the Vault, highlighting a range of gems from the DAM's collection. Collected in fits and spurts, the museum's photo holdings are very uneven, but as Paddock proves with this show, there are a lot of masterworks in it anyway. As could be expected, considering the impressive Wolf Collection of early Western landscapes, there are quite a few pieces by the pioneers of that field, notably Carleton Watkins. And there are a number of well-known photos by famous modern photographers like Diane Arbus, Ansel Adams and Garry Winogrand. Another important feature of the exhibit is the inclusion of many Colorado photographers, including Kevin O'Connell and Wes Kennedy. This aspect is not unexpected coming from a curator who spent most of his career at the Colorado Historical Society. Through October 31, at the Denver Art Museum, 100 West 14th Avenue Parkway, 720-865-5000. www.denverartmuseum.org. Reviewed May 20.
The Furniture of Eero Saarinen. One of the Kirkland Museum of Fine & Decorative Art's specialties is decor. That focus is highlighted in The Furniture of Eero Saarinen: Designs for Everyday Living, a traveling exhibition dedicated to the work of the famous American architect. Though the show was put together by the Knoll Museum, Kirkland director Hugh Grant has supplemented it with pieces from his collection and from the architect's daughter, Susan Saarinen, a landscape designer who lives in our area. The elder Saarinen is best known for his Gateway Arch in St. Louis, but he also designed chairs and tables that have become classics of American furniture. His most radical concept is illustrated in the "Tulip" furniture that counteracted "the slum of legs" that he believed plagued the typical interior. In these works, tables and chairs, are on singular bases that resemble wine glass stems writ large. In addition to Saarinen's own designs, Grant has added works by others from the same era. Through November 28 at the Kirkland Museum, 1311 Pearl Street, 303-832-8576, www.kirklandmuseum.org.
Maria Cristina Carlini. This is an outdoor sculpture show dedicated to a contemporary Italian artist. On display at both the Rocky Mountain College of Art and Design campus and the Auraria Campus, it represents an unprecedented act of cooperation between the two institutions and was curated by Cortney Stell, director of RMCAD's Philip J. Steele Gallery. The four large Carlinis are scattered around the beautiful RMCAD campus, which has a series of small historic buildings and lovely historic flower beds. One of them, "Out and Inside," has been given to the campus and will remain there after the show comes down. The work is like a pair of three-dimensional puzzle pieces set on end. The Auraria portion of the show includes three more monumental Carlinis, all sited near the Emmanuel Gallery. Among these is "Madre," which has been given to Auraria and is now part of its permanent collection. Through October 1 at RMCAD, 1600 Pierce Street, Lakewood, 303-753-6046, www.rmcad.edu, and the Auraria campus, Colfax Avenue and Speer Boulevard. Reviewed August 12.
Moore in the Gardens. Henry Moore, who died in 1986, was Great Britain's most important modern sculptor. Born in 1898, he began to create artwork shortly after World War I, becoming internationally famous by the 1930s. Moore was one of a legion of important artists who responded to Picasso's surrealism, but he made the style his own. This traveling exhibit, sponsored by the Henry Moore Foundation, has been installed on the grounds of the Denver Botanic Gardens, with two pieces at the DBG annex at Chatfield (8500 Deer Creek Canyon Road, Littleton). The main part of the exhibit begins in the Boettcher Memorial Center, where a collection of the artist's tools and maquettes are crowded into showcases, and where a single work has been installed in a fountain. Most of the other pieces have been displayed around the gardens. The monumental works, typically in bronze, look absolutely perfect in the landscaped settings. Through January 31 at the Denver Botanic Gardens, 1007 York Street, 720-865-3500, www.botanicgardens.org. Reviewed June 17.
Susan Goldstein and John Davenport.Though she is best known as a photographer, the works in Susan Goldstein's Elements 2010, in the front space at Edge, are not, strictly speaking, photographs; rather, they are photo-based works done on a computer. The results are fairly abstract and atmospheric in character, with soft edges and blurry shapes taking over. Despite this abstract character, several recognizable things are used as elements in the pieces, such as a vintage image of a child that reappears throughout the show. In a number of cases, the images have been assembled into grids of rectangles and squares wherein variations on the same theme are expressed in different ways. Paired with the Goldstein exhibit is Unfinished Photographs: John Davenport. Given the title and the fact that there's a tripod set up with an old Agfa portrait camera aimed at a chair with a drapery in the background, you might think that Davenport is going to be taking photos during the course of the show — but he isn't. Instead, he's doing a photo performance, producing stereopticon cards using a Realist stereo camera. Through October 3 at Edge Gallery, 3658 Navajo Street, 303-477-7173, http://edgeart.org. Reviewed September 23.