By Noah Hubbell
By Kiernan Maletsky
By Tom Murphy
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I felt like I was joining Guns N' Roses and Axl kept trying to teach me 'Sweet Child of Mine,'" says Brothers O' Hair bassist Joe Mills, recalling the early days of his band. "I was like, 'Come on, man, it's Chinese Democracy time!'"
Although the group, fleshed out by drummer Jon Aisner, guitarist Andy Burrow and singer/guitarist/founding member Adam Anglin, share very little else in common with the jungle-welcoming Angelenos, Anglin, like Mr. Rose, found himself trying to re-form a project and a concept that he had started years before in another state.
The process of recruiting new members for his vision and then re-teaching old songs proved arduous for Anglin and the rest of his band, but the effort finally come to fruition with the completion of the outfit's first EP — and the continuation of a family tradition started long before Anglin was even born.
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After wrapping his studies at Northwest Arkansas Community College, Anglin moved to Austin to play music. The frontman, who had been writing music for years, had never really been in a band before, but knew, stylistically, the type of music he was capable of creating. Conceptually, Anglin borrowed a tradition that had been in his family for years.
O'Hair is my mother's maiden name," he explains. "My grandpa's family clan was the Brothers O'Hair; it started with my great grandfather, Mickey. I wanted to present a revival of a certain time and pay tribute to my family."
Because of his family's pedigree, Anglin knew he wanted to start a group whose sound and image paid homage to his cherished ancestors, and he figured Austin was would be a good place for the band to flourish. Thanks to programs like the Health Alliance for Austin Musicians and an overwhelming sense of support from fellow musicians, Anglin found it an ideal place to start his concept, and he quickly recruited musicians to play and record some of the songs he had written. In the process, he became infatuated with all that the city had to offer.
"I think Austin has created a community for musicians," he points out. "They have health care, and they're valued as a part of the community and economy. You had the mayor telling people to go to one show a month to help boost the economy."
Despite his love for the city and the acceptance he felt, Anglin only spent about four months playing music there before he made the decision to relocate to Denver in the summer of 2008, largely because his now-wife decided to attend grad school in Colorado. So in spite of the fact that he was finally putting together the project he'd been striving for, Anglin found himself picking up stakes and setting up shop in a new city, where he initially placed Brothers O' Hair on the back burner.
He wasn't as taken with Denver as he had been with Austin. "I think the biggest difference I found between the two is the community element in Austin," he notes. "In Austin, it didn't matter how tight we were or how good we were: We were just fish in the sea. Here, I think people look after their own band a lot more, which is sad, because no one is really going anywhere. I wish people would enjoy it more."
Eventually, as he became more comfortable with the city and decided Denver was as good a place as any to start the band again, he placed ads on Craigslist, offering up the demos he had recorded in Austin as incentive for people to get ahold of him. Burrow, Mills and Aisner, who had each moved to Denver from different cities with hopes of playing music, all responded to the ad because of a love for Brothers O' Hair's music. Each member has his own idea as to why Anglin chose them.
"Adam called me back out of desperation," Borrow jokes.
"It wasn't out of desperation at all," Anglin interjects. "Most people I tried out sucked, and I don't think we thought each other sucked."
The new-look Brothers O' Hair was ready and willing to learn the songs that Anglin had written, but finding a place to learn them wasn't always easy. Taking advantage of Aisner's being a student in the music program at the University of Denver, the group used to sneak into the music building late at night so they could practice, hauling all of their amps, drums and even a PA into the building after hours and then unloading after they were done so no one would know they had been there.
It was during these late-night sessions that the group woodshedded the old Brothers O'Hair songs. Slowly but surely, the members started writing new songs of their own, taking Anglin's original concept of the band and adding their own unique flavor of musicianship.
"It was huge for us to get away from those old tunes and start writing new music that we all helped bring to the table," Aisner recalls. "There was a feeling that the Austin songs we were playing really weren't our own. Everybody felt like they were playing in a cover band. There was something stale about the practices. It wasn't until we started playing new stuff that everything came together."