Theodore Waddell. With the increasing interest in modern and contemporary Western art, Theodore Waddell's Abstract Angus, curated by the DAM's Thomas Smith, is perfectly timed. From the entrance to the Gates Family Gallery, visitors are confronted by "Monida Angus," a mural so big you can't see it all until you get inside. Running across four large panels, the painting — which was specially created for this show — depicts cattle grazing in the foreground of a mountain range. Or at least that's what it looks like from across the room, because when you get up close, the cattle and scrub and even the mountains and sky are nothing more than rough and heavy smears of paint. This is true of all the Waddells here; some of them are almost non-objective, with hardly any landscape referents at all. For instance, "Motherwell's Angus," from the DAM's collection, is made up solely of a scruffy, dirty-white color field over which black dashes have been randomly inserted to stand in for the cows on a snow-covered plain. Through December 2 at the Denver Art Museum, 100 West 14th Avenue Parkway, 720-865-5000, www.denverartmuseum.org. Reviewed June 28.
William Joseph. The Kirkland Museum has a lot to recommend it, but its greatest service to the community is the way it continually resurrects the careers of all-but-forgotten Colorado artists. That's exactly the point of William Joseph: Sculptor & Painter, which showcases the half-century-long career of this deceased Denver artist and teacher. If his name is obscure, his work isn't; some of Joseph's major sculptures are in very public places around town — notably, the Christopher Columbus monument in the Civic Center. The show was put together by Kirkland director Hugh Grant and museum registrar and deputy curator Christopher Herron, who combed the contents of the artist's estate (which is still held by Joseph's family) and contacted collectors in order to gather the material. Though Joseph is surely best remembered for his sculpture, the Kirkland show puts extra attention on his paintings. As with his three-dimensional work, Joseph combined abstraction and representations of the figure to come up with his signature style. Through November 11 at the Kirkland Museum of Fine & Decorative Art, 1311 Pearl Street, 303-832-8576, www.kirklandmuseum.com.