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Time Stands Still. For all but a small sliver of society in the United States, wars are only a distant rumbling. But for those who have experienced the conflicts — soldiers, journalists, refugees — they are devastating. The images of war engrave themselves indelibly on the brain and can rip apart the fabric of an entire life. This truth lies at the heart of Donald Margulies's searching and unsettling play Time Stands Still. The primary protagonists are two journalists who have covered some of the world's hottest war zones. Sarah, a photographer wounded by a roadside bomb in Iraq, has returned to the U.S. almost literally in pieces, both physical and emotional. Her long-term lover, James, is at their apartment to welcome her. A reporter, he left Iraq while Sarah was still in the hospital in Germany because of a breakdown of his own, and he is determined to bring her back to health. But Sarah is not an easy patient. Richard, her photo editor, arrives, accompanied by his much younger girlfriend, Mandy, and Sarah can barely mask her contempt. When the two women discuss the photographs on Sarah's laptop, Mandy begins to weep over a shot of a mother with her horribly burned baby. She has touched on a profound question: Both Sarah and James sometimes wonder whether recording war scenes does any good or whether it's a kind of voyeurism, a commodification of human pain. But the play is not didactic. It's smart, multi-layered, absorbing and wryly funny, and the issues it raises are explored through the lives of four very real and interesting people. Presented by Curious Theatre Company through December 15, 1080 Acoma Street, 303-623-0524, www.curioustheatre.org. Reviewed November 8.

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