The Denver Art Museum has been considering a Luis Jiménez retrospective, but setting that up with the estate has been no easier than getting "Mustang" completed.
"It's really important to have in Denver's art collection," Patty Ortiz says. "I've always loved this work, and I think a lot of times it can be misunderstood because it's kind of fierce, in a way, and not easy to look at, but it's not meant to be easy. It's supposed to challenge and make them think."
Noah Van Sciver
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"I love the Mustang," says Chandler Romeo, an artist who's on the current committee considering new art for the airport. "And the reason I love the Mustang is because it doesn't matter who you're talking to, where you are, people will react. Everyone will talk about the Mustang. To my mind, that's fantastic. Either they hate it or love it, but it evokes a response. I have been followed around cocktail parties and talked to about 'Mustang.'"
The talk will continue. Although the conspiracy theorists have generally left the legend of the blue mustang alone — after killing its creator, what more would the piece have to do? — it does rate a mention in the Montauk Project, Chasansky's favorite DIA conspiracy theory. As the story goes, post-World War II experiments with mind control and time travel sent U.S. troops into the past and the future — where, in 2600, they come upon a ruined city with the remains of a mammoth sculpture of a blue horse. (Think the end of Planet of the Apes, but with "Mustang" instead of the Statue of Liberty.)
And come 2060, the odds are good that "Mustang" will still be standing guard outside Denver International Airport.
"Here's my thing," Chasansky says. "Most of the people who don't like the blue Mustang still value public art — and now a whole group has emerged who may think it's a badass blue Mustang, but it's our badass blue Mustang."