By Show and Tell
By Bree Davies
By Bree Davies
By Cory Casciato
By Emilie Johnson
By Robin Edwards
By Bree Davis
By Josiah M. Hesse
The William Havu Gallery is chock-full of interesting things to look at. On the main floor are three solos that have been interwoven into a coherent theme show on contemporary abstraction, and up on the mezzanine is a salute to the Month of Photography, which straddles March and April.
On the warren of walls filling the main level are Monroe Hodder: Romancing Color and Aaron Karp: Indra's Pearls. Though each solo has its own set of separate spaces, at times viewers need to go through a part devoted to one to pick up on the other, making them function as a seamless duet.
In her very recently painted pieces (you might feel light-headed because of the heavy linseed-oil fumes coming from the still-wet works), Hodder strikes a balance between hard-edged abstraction and the decidedly soft edges of expressionism. Karp does something a little different, depicting recognizable images in the form of spheres but using them non-objectively. The sphere, like the straight line, is from mathematics, but it's impossible not to think of beach balls when you look at these Karp abstracts — and I mean that in a good way.
1040 Cherokee St.
Denver, CO 80204
Category: Art Galleries
Region: Central Denver
Arranged on plinths throughout the spaces are the elegant ceramic sculptures that make up James Marshall: the Liminal Object. The sculptures are brightly colored but have simple shapes that are vaguely organic, which, as seen in "Yellow #393" (pictured), provides just the right combo, at least in Marshall's hands. And the sculptures provide a great counterpoint to the paintings, not only because of that obvious 3-D to 2-D contrast, but because they have unified surfaces, while those of the paintings are broken up.
Finally, up on the mezzanine, are Katherine Winter: Ersatz Luminosity, which represents the gallery debut of this emerging photographer, and O Zhang: The World Is Yours (But Also Ours), which highlights recent work by a Chinese photographer. Winter is intrigued by neon and fluorescent lights used to illuminate well-kept if modest motels; Zhang poses Chinese kids in American-looking garb, in American-looking settings.
All five shows — every one of which is a winner — will close on April 27 at Havu, 1040 Cherokee Street, 303-893-2360, williamhavugallery.com.