Most Popular
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A Cold Case Frozen in Time
Until this cold case heats up, Sharon Skiba is lost in limbo.
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CU Hires Three Pulitzer Winners
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Sazza
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Shakeup in Denver Radio
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Arapahoe County DA Charges Death-Penalty Fees to the State
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A Cold Case Frozen in Time (10)
Until this cold case heats up, Sharon Skiba is lost in limbo.
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Con Artist Gives Funny Cause for Pregnant Pause (7)
Would you pay $20 to get a scam artist off your front porch?
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Big Trouble (8)
Gary Haney was living the high life until meth took him down.
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To the Max (5)
A publicity-hungry student shows how easy it is to become a media darling -- with a little help from CU.
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The Magnet Mafia Sticks to Street Art (5)
Matt Feeney and Harrison Nealey have a new way for artists to stick it to the city.
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Bad Luck City Haunts Denver
These folks like their Americana dark.
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Planes Mistaken for Stars Makes Its Final Approach
Capturing the final days of one of Denver’s most vital bands.
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Cue the Cricket
One of Denver’s most storied stages may soon be silenced.
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George Porter Is Still Funkin'
This Funky Meters bassist has become a jam icon for a new generation.
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Tia Fuller Has Sax Appeal
Find out how this Aurora native wailed her way into Beyonce’s band.
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Cops in MySpace
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Baby Blue
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Thoughts on Five Songs While I Quietly Freak Out and Try to Work
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What is the Sound of Color?
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Yummsies: For the Baby Who Has It All
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Look of the Day -- The Unfortunate Side Effects of Daylight Saving Time
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Crowded Cowboy Caucuses
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Delegating Denver #34 of 56: New Jersey
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Recent Articles By Michael Roberts
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Shakeup in Denver Radio
Denver radio's getting a shakeup, with more alterations on the horizon. But do any of the switches qualify as improvements?
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British Sea Power
Saturday, March 8, hi-dive, 720-570-4500.
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Carrie Underwood
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A Bitter Taste
National Features
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Houston Press
"It Was Like an Armageddon Movie"
For days after Hurricane Rita, a Texas prison was hell on earth.
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By Michael Musto
Justin Gitlin, who goes by CacheFlowe, is a laptopper with a difference. He's neither a devoted dance-music maven in thrall to four-on-the-floor beats nor a pure abstractionist allergic to anything resembling a hook. Indeed, he seems open to all manner of sounds, and on Automate Everything, he combines them in consistently intriguing ways.
Subject(s): CacheFlowe
Eclecticism is definitely the watchword here. "Ahh . . .Huh?" is an aggressive opener, replete with frantic rhythms, funky keyboard stings and sustained riffing, whereas the title track that follows sports a more deliberate tempo, gassy bass lines, skittering faux percussion and Orwellian vocal samples. Later, Gitlin juxtaposes subtle improvisation with industrial clanging on "Casio vs. Heavy Metal" and hits the heights of drum-and-bass-inspired future jazz on "Pinnacle 1421."
A few selections stumble -- notably "Run Amok," a quizzical mini-slab of electro-clash. Nevertheless, even the missteps have their moments thanks to Gitlin's restless creativity. Automating everything might not be such a bad idea as long as he's at the controls.
