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  • Article

    Firing Line - A salute to the late, great James McKinnell, a master of Colorado ceramics.

    It's hard to think of James McKinnell, whom everyone called Jim, without also thinking of his wife and artistic collaborator for more than fifty years, Nan McKinnell. Nonetheless, we are going to have to get used to the idea of one without the other,...

    by Michael Paglia on April 28, 2005
  • Article

    Artbeat - Brief sketches of what's happening in the Denver art scene.

    Currently, there are three shows at Pirate: a contemporary art oasis (3659 Navajo Street, 303-458-6058) that have an after-dark character. In two of them, it's because the galleries themselves have been shrouded in darkness, but in the third, which i...

    by Michael Paglia on April 28, 2005
  • Article

    Now Showing

    Balance. Rarely has Walker Fine Art come up with an exhibit as successful as Balance, which pairs recent abstract paintings by Denver artist Don Quade with abstract sculptures by Colorado Springs-based Bill Burgess. Quade was formerly at Fresh Art G...

    on April 28, 2005
  • Article

    Encore

    Cats. This company does as good a job with Cats as one can imagine. The dancing, choreographed by Stephen Bertles, who also directed, is seamless. The cast is lithe and graceful. They slither like snakes. They leap high and land without a sound. The...

    on April 28, 2005
  • Article

    Jolly Good - Germinal's Habeas Corpus is a rollicking British sex farce.

    I think of Alan Bennett as a chronicler of the lives of those inhabiting a certain stratum of British society: lonely, middle-class people, conventional, self-conscious and always slightly embarrassed at themselves, like the monologuists of Talking H...

    by Juliet Wittman on April 28, 2005
  • Article

    War: What Is It Good For? - Not About Heroes offers a timely dose of combat's horrors.

    In a culture where popular definitions of manhood are as rigid and narrow as they are in the United States (real men chop down trees, play sports and don't drink lattes), the age-old ideal of the warrior-poet seems a contradiction in terms. Without q...

    by Juliet Wittman on April 28, 2005
  • Article

    Encore

    Cats. This company does as good a job with Cats as one can imagine. The dancing, choreographed by Stephen Bertles, who also directed, is seamless. The cast is lithe and graceful. They slither like snakes. They leap high and land without a sound. The...

    on April 21, 2005
  • Article

    Fresh Start - Looking back at the Central Library, looking ahead at the Civic Center.

    Although Denver has long been the largest city in Colorado, historically it was not the art-making center of the state. No, that distinction was held by Colorado Springs -- even before the launch of the Broadmoor Academy in 1918, which transformed th...

    by Michael Paglia on April 21, 2005
  • Article

    Artbeat - Brief sketches of what's happening in the Denver art scene.

    The young artist with the epic name of Jared David Paul Anderson is a one-man art movement. Not only is he a serious painter, as he demonstrates in Red, White and Black, now at the Assembly (766 Santa Fe Drive, 303-573-5501), but he's also the founde...

    by Michael Paglia on April 21, 2005
  • Article

    Now Showing

    Balance. Rarely has Walker Fine Art come up with an exhibit as successful as Balance, which pairs recent abstract paintings by Denver artist Don Quade with abstract sculptures by Colorado Springs-based Bill Burgess. Quade was formerly at Fresh Art G...

    on April 21, 2005
  • Article

    Cubist Twosome - Poignant Irritations paints an intriguing portrait of Stein and Toklas.

    Pigeons on the grass, alas. -- Gertrude Stein It is neither just nor accurate to connect the word alas with pigeons. Pigeons are definitely not alas. They have nothing to do with alas and they have nothing to do with hooray (not even when you tie...

    by Juliet Wittman on April 21, 2005
  • Article

    Watered-Down Fun - Pinnacle's version of Rocky Horror is sour despite Sugar.

    Normally, I would trek through broken glass -- well, okay, walk several city blocks in new high heels -- to see Nicholas Sugar perform. It's not just his humor and intense stage presence; it's the fact that in the past he's added interesting colors t...

    by Juliet Wittman on April 21, 2005
  • Article

    Encore

    Cats. This company does as good a job with Cats as one can imagine. The dancing, choreographed by Stephen Bertles, who also directed, is seamless. The cast is lithe and graceful. They slither like snakes. They leap high and land without a sound. The...

    on April 14, 2005
  • Article

    Nuevo and Improved - Chicano artists go beyond their identities in an important show at the CVA.

    The Center for Visual Art in LoDo is currently taking on the interesting -- and risky -- topic of "post-Chicano" art in the group exhibit Leaving Aztln: Rethinking Contemporary Latino and Chicano Art. It's interesting because many of the pieces in t...

    by Michael Paglia on April 14, 2005
  • Article

    Artbeat - Brief sketches of what's happening in the Denver art scene.

    In the same way that the works at the Center for Visual Art may be described as post-Chicano (see review), three of the four artists in discourse & decadence at Studio Aiello (3563 Walnut Street, 303-297-8166) are doing what could be called "post-que...

    by Michael Paglia on April 14, 2005
  • Article

    Now Showing

    Balance. Rarely has Walker Fine Art come up with an exhibit as successful as Balance, which pairs recent abstract paintings by Denver artist Don Quade with abstract sculptures by Colorado Springs-based Bill Burgess. Quade was formerly at Fresh Art G...

    on April 14, 2005
  • Article

    Darkness Personified - Denver Rep's Edmond conjures up a loathsome, racist portrait.

    Edmond, currently being staged by the Denver Repertory Theatre Company, is about as nasty a play as I can imagine. When I see something that angers me this much, I usually try to figure out some interpretation I may be missing, something that justifi...

    by Juliet Wittman on April 14, 2005
  • Article

    Taking Their Lumps - Fire on the Mountain evokes the musical soul of Appalachian miners.

    Fire on the Mountain is an evocation of the lives of Appalachian coal miners in the first few decades of the twentieth century. Created for the Denver Center by Dan Wheetman and Randal Myler, who also directs, it is told primarily through song, with ...

    by Juliet Wittman on April 14, 2005
  • Article

    Now Showing

    Balance. Rarely has Walker Fine Art come up with an exhibit as successful as Balance, which pairs recent abstract paintings by Denver artist Don Quade with abstract sculptures by Colorado Springs-based Bill Burgess. Quade was formerly at Fresh Art G...

    on April 7, 2005
  • Article

    Modern Times - The Madwoman soars as an updated classic about greed.

    The Denver Center Theatre Company is presenting a version of The Madwoman of Chaillot, updated as simply The Madwoman and set in contemporary New York rather than Paris. The play was written by an ailing Jean Giraudoux during World War II and was fir...

    by Juliet Wittman on April 7, 2005
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