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  • Article

    Security Chicks

    If you grew up participating in duck-and-cover air-raid drills and memorizing the exact location of your neighborhood's official fallout shelter, then you probably didn't regard the end of the Cold War as just another over-hyped media event. As the f...

    by Jim Lillie on October 15, 1998
  • Article

    Night of the Living Dead

    Hardened by years of debilitating despair, a young woman shuffles into a Midwestern living room, saunters over to the dining-room table and matter-of-factly declares, "I'm going to kill myself, Mama--in a couple of hours." Ninety intermissionless min...

    by Jim Lillie on October 15, 1998
  • Article

    Hard Wares

    Eight years ago Denver Art Museum director Lewis Sharp hired his old friend Craig Miller, with whom he had worked at New York's Metropolitan Museum of Art, to put together a design collection at the DAM. The museum had accumulated a hundred years' wo...

    by Michael Paglia on October 8, 1998
  • Article

    Under the Covers

    For better or worse, the wobbly wheel of sexual politics as entertainment appears to be shimmying out of control. Prurient as it may be, theatergoers' interest in sexual power plays is hardly a twentieth-century phenomenon. Even 2,400 years ago, the ...

    by Jim Lillie on October 8, 1998
  • Article

    Back Talk

    Words may be the currency of the 1990s in the same way money was the lingua franca of the 1980s. Never has this been more clear than in the political crisis that has reached a dramatic pitch in recent weeks. We've all heard President Clinton "pa...

    by Michael Paglia on October 1, 1998
  • Article

    Sex, Sex, Sex

    Based on a familiar legend packed with graphic sexual references and written almost entirely in verse, David Ives's play Don Juan in Chicago is a wholly fictionalized, occasionally amusing look at contemporary sexual mores. And if your idea of a rip-...

    by Jim Lillie on October 1, 1998
  • Article

    Everyone Knows It's Windy

    Ever-admiring of her husband's pioneering spirit but increasingly contemptuous of his overriding ambition, a young wife reacts to one of her mate's first scientific discoveries by murmuring, "In these moments with you, I understand the allure. They s...

    by Jim Lillie on October 1, 1998
  • Article

    Blood on the Tracks

    It's hardly unexpected to find art shows at museums--unless the museum is that funky Platte Valley landmark the Forney Transportation Museum. It is this unlikely venue that well-known contemporary artist Stephen Batura chose for his most recent, unti...

    by Michael Paglia on September 24, 1998
  • Article

    Empty Nest

    By the time the two main characters in Horton Foote's The Young Man From Atlanta sit down to confront their nameless fears during the drama's riveting final scene, most theatergoers are likely to have either forsaken the playwright's meandering spiri...

    by Jim Lillie on September 24, 1998
  • Article

    Fools for Luv

    When Murray Schisgal's play Luv premiered on the Great White Way 34 years ago, the two-act comedy was an overnight hit with New Yorkers who had little trouble identifying with the Brooklyn-born playwright's incisive observations about metropolitan li...

    by Jim Lillie on September 24, 1998
  • Article

    One of the Righteous

    Denver's Mizel Museum of Judaica occupies only a small gallery and a couple of offices in the recesses of the large BMH-BJ synagogue. Despite these modest facilities, however, the institution often presents highly provocative art shows that easily ri...

    by Michael Paglia on September 17, 1998
  • Article

    Object Lessons

    Objects of Personal Significance is a loosely organized theme show that handsomely fills the recently relocated and expanded Center for the Visual Arts on Wazee Street, the LoDo gallery of Metropolitan State College of Denver. The exhibit, which has ...

    by Michael Paglia on September 10, 1998
  • Article

    Therapy Sessions

    Ever since one of the king's men stepped forward amid a sea of Elizabethan spectators and intoned Hamlet's famous "To be or not to be" soliloquy, playwrights have continually asked audience members to join them as silent partners in the commission of...

    by Jim Lillie on September 10, 1998
  • Article

    Artistic Democracy

    Denver's collection of art cooperatives--notably, Spark, Pirate, Edge, Core and ILK--are a boon to contemporary art here. Most major cities don't have anything close. The co-ops' great cultural value is that they provide opportunities for emerging ar...

    by Michael Paglia on September 3, 1998
  • Article

    Baby Blues

    In the opening moments of Emma's Child, a self-described "local nothing" of a teenage mother permits her unborn baby to be adopted at birth by a well-meaning, well-to-do childless couple. This might lead audiences to believe that playwright Kristine ...

    by Jim Lillie on September 3, 1998
  • Article

    Grapes of Rag

    Ten years ago, when the only marquee Ragtime graced was the imaginary one glimmering in the eyes of its creators, the musical's current director, Frank Galati, was earning a well-deserved reputation as one of this country's most innovative, if enigma...

    by Jim Lillie on September 3, 1998
  • Article

    Winds of Summer

    The art scene in Denver does not shut down during the summer as it does in the big cities on the east and west coasts. Even here, though, there is a point when everyone seems to be taking a break--and that hiatus is currently on. The last of the summ...

    by Michael Paglia on August 27, 1998
  • Article

    Come to Mama

    Celebrated warbler Sophie Tucker was the most famous of the Prohibition-era "naughty girls" who belted out honky-tonk melodies, jazz tunes and torch songs in vaudeville acts that also sometimes included trained animals, female impersonators and famou...

    by Jim Lillie on August 27, 1998
  • Article

    The Melting Pot

    Is it possible to save another human being from himself? Are the exhortations of politicians, sociologists and religious types the best answers to the problems plaguing the three downtrodden New Yorkers in William Hanley's play Slow Dance on the Kill...

    by Jim Lillie on August 27, 1998
  • Article

    Guilt by Association

    Despite recent events in Jasper, Texas, it's difficult to imagine a group of modern white men brazen enough to pose for a snapshot as they gather around a black man's mangled and lynched body swaying from a tree amid the tranquility of a Southern for...

    by Jim Lillie on August 20, 1998
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From the Print Edition

Five Reasons Why It Would Be Stupid to Demolish Boettcher Concert Hall

Michael Paglia isn't a big fan of the City & County of Denver when it comes to architectural and artistic decisions. After all, he writes, officials there have fumbled everything… More >>

Jamie Ann Romero Exits Denver for the Bright Lights of New York City

Every now and then, you realize you're watching a genuine star. Not just a very good, emotionally generous actor who makes intellectually interesting choices, but someone possessed of a quality… More >>

Now Showing

Angela Beloian and Roger Hubbard. For In Technicolor, her new exhibit at Walker Fine Art, Boulder artist Angela Beloian created a body of retro '60s and '70s paintings and screen… More >>

Now Playing

On Golden Pond. As this play opens, Norman and Ethel Thayer are moving back into their summer house in Maine. Every summer for 48 years, he's come here to fish… More >>

Mack & Mabel: The Script Bores, but the Music Soars

Mack & Mabel purports to tell the story of the confused and conflicted love between Mack Sennett, impresario of the early comic silent movies, and Mabel Normand, the young woman… More >>

The DAM's Tom Wesselmann Show Is a Lesson in Art History

Michael Paglia has been writing about the art scene in Denver and Front Range for twenty years, following the latest shows, trends and news at museums and galleries. Read his… More >>

Now Showing

Angela Beloian and Roger Hubbard. For In Technicolor, her new exhibit at Walker Fine Art, Boulder artist Angela Beloian created a body of retro '60s and '70s paintings and screen… More >>

Now Playing

On Golden Pond. As this play opens, Norman and Ethel Thayer are moving back into their summer house in Maine. Every summer for 48 years, he's come here to fish… More >>

Ignite Theatre's Rent Has Room to Grow

The audience for Ignite Theatre's Rent is large, boisterous, young, and deeply involved with the action. Throughout the evening, you hear hoots of appreciative laughter, empathetic breath intakes and murmurs,… More >>

Four Artists Explore the World of Codes at Sandra Phillips

Michael Paglia has been writing about the art scene in Denver and Front Range for twenty years, following the latest shows, trends and news at museums and galleries. See his… More >>

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