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Goodwin and Robischon shows prove abstraction is still a force in contemporary art

Goodwin and Robischon shows prove abstraction is still a force in contemporary art

"Snowflake," by Bryan Nash Gill, pine.

Michael Paglia's review of Material Abstraction at the Robischon Gallery (through June 30) and Bryan Nash Gill: Cut Wood at Goodwin Fine Art (through June 22) explores contemporary abstraction while showcasing pieces by regional and national artists. Both shows, he writes, help "to prove that abstraction is still a major force in contemporary art."

Continue reading Paglia's review: "Abstraction continues to make a stand at the Robischon and Goodwin galleries."

Below are some images from the shows.

Goodwin and Robischon shows prove abstraction is still a force in contemporary art

"Portal," by Linda Fleming, chromed steel. Robischon Gallery.

Goodwin and Robischon shows prove abstraction is still a force in contemporary art

"Downburst," by Reed Danziger, mixed media on panel. Robischon Gallery.

Goodwin and Robischon shows prove abstraction is still a force in contemporary art

"Sandbag (Red)," by John McEnroe, resin, nylon and sand. Robischon Gallery.

Goodwin and Robischon shows prove abstraction is still a force in contemporary art

"Untitled 32," by Derrick Velasquez, vinyl and maple. Robischon Gallery.

Images from Bryan Nash Gill: Cut Wood at Goodwin Fine Art are on the next page.

 

Goodwin and Robischon shows prove abstraction is still a force in contemporary art

"Pyramid 5," by Bryan Nash Gill, tulip poplar.

Goodwin and Robischon shows prove abstraction is still a force in contemporary art

"Deconstructed Cube #1," by Bryan Nash Gill, monoprint with Chine-collé.

Goodwin and Robischon shows prove abstraction is still a force in contemporary art

"Deconstructed Cube #2," by Bryan Nash Gill, monoprint with Chine-collé.

Goodwin and Robischon shows prove abstraction is still a force in contemporary art

"Deconstructed Cube," by Bryan Nash Gill, pine.

More images from Bryan Nash Gill: Cut Wood at Goodwin Fine Art are on the next page.

 

Goodwin and Robischon shows prove abstraction is still a force in contemporary art

"Ash," by Bryan Nash Gill, relief print.

Goodwin and Robischon shows prove abstraction is still a force in contemporary art

"Deconstructed Cube #4," by Bryan Nash Gill, monoprint with Chine-collé.

Goodwin and Robischon shows prove abstraction is still a force in contemporary art

"Deconstructed Cube #5," by Bryan Nash Gill, monoprint with Chine-collé.

Goodwin and Robischon shows prove abstraction is still a force in contemporary art

"Three Stacks," by Bryan Nash Gill, relief print.

Images from Material Abstraction at Robischon Gallery are on the next page.

 

Goodwin and Robischon shows prove abstraction is still a force in contemporary art

"Lost in Space," by Ted Larsen, salvaged steel and rivets. Robischon Gallery.

Goodwin and Robischon shows prove abstraction is still a force in contemporary art

"Blaze," by Jamie Brunson, oil, alkyd wax on polyester over panel. Robischon Gallery.

Goodwin and Robischon shows prove abstraction is still a force in contemporary art

"Black Jawbreaker Book," by Terry Maker, resin and mixed media. Robischon Gallery.

Goodwin and Robischon shows prove abstraction is still a force in contemporary art

"Love Madness 04," by Lisa Stefanelli, automotive paint and enamel on panel. Robischon Gallery.

Goodwin and Robischon shows prove abstraction is still a force in contemporary art

"Frond Falls Orange 2," by Katy Stone, acrylic on Duralar and paper. Robischon Gallery.

Goodwin and Robischon shows prove abstraction is still a force in contemporary art

"She Had An Elegance, But Something Seemed A Tad Fake," by Tyler Beard, sculpture. Robischon Gallery.


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Robischon Gallery
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Goodwin Fine Art

1255 Delaware St.
Denver, CO 80204


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