@awolfeful

  • @awolfeful
    23 June, 2018

    Forgot I reviewed this post-punk light thriller anti-biopic of LA legends The Icarus Line. Maybe it’s because of ho… https://t.co/GIslKskXRy

  • @awolfeful
    23 June, 2018

    RT @IndivisibleNet: BREAKING REPORT: An adoption center owned by the family of Secretary of Education Betsy DeVos in Michigan, Bethany Chri…

  • @awolfeful
    23 June, 2018

    RT @jessiemaltin: We’ve already gotten so many emails and I’m thrilled. Please keep spreading the word, I’m truly looking forward to workin…

  • @awolfeful
    23 June, 2018

    RT @RepLoisFrankel: Just toured Port Isabel ICE Detention Center in TX. It was horrifying, shocking & very eye-opening. Thread to follow....

  • @awolfeful
    23 June, 2018

    @ambertamblyn @latimes Had such a great time talking about your book and its place in this seriously f’ed up world.… https://t.co/OUQ8S4ChgA

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April Wolfe

April Wolfe

April Wolfe is the film critic for L.A. Weekly. Her criticism and features also appear in other Voice Media Group publications and in VMG's film partner the Village Voice. She's written for The Atlantic, Marie Claire, CityLab, Vice and many others, and she's the founder and a producer of One Axe Plays, a film and theater collective for women writers and directors. As a filmmaker, she's produced a feature film, written and directed a handful of shorts and worked in creative development as a top-level story analyst.

Popular Stories

Latest Stories

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  • Here's a bit of wisdom that I suspect Drew Pearce, the writer/director of stylish action drama Hotel Artemis, gleaned while making his film: If you have very little time reserved for emotionally resonant moments, put Jodie Foster in...

  • 17 days ago | Film and TV

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  • 18 days ago | Film and TV

    The horror of Hereditary lays not just in scary images but in creeping sense that free will is a joke, and bad luck can be as inescapable as a family curse

  • 19 days ago | Film and TV

    In both the archives and in Novack’s footage, Talley appears so fully himself in every one of his garishly fascinating caftans that it’s difficult not to admire him or the endless knowledge of history and design (specifically Russian) he can spout...

  • When Bill Gunn's experimental horror feature Ganja & Hess (1973) premiered at Cannes, it received a standing ovation and the critics' choice prize, but when it came to releasing the film, its green producers, who'd commissioned Gunn to...

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