Email Author J. Hoberman
Many of my favorite films of the year are still awaiting wider release, so although this top-ten list wraps up my 2010, it can also serve as a... More >>
The late George Hickenlooper's Casino Jack is an improbably blithe cautionary tale, recounting the rise and fall of D.C.... More >>
Boldly reanimating the comic Western that secured John Wayne his Oscar 41 years ago, the Coen Brothers' True Grit is... More >>
A picnic for Anglophiles, not to mention a prospective Oscar bonanza for the brothers Weinstein, The King's Speech is a... More >>
Jeff Bridges is God and, as image-captured from the original 1982 Tron, also the devil in Disney's mega-million-dollar reboot,... More >>
A near-irresistible exercise in bravura absurdity, Darren Aronofsky's Black Swan deserves to become a minor classic of... More >>
Comely, independent, willful young lass returns to collect family inheritance in rural England, drives the local men wild, makes several... More >>
As suggested by its title, Allen Ginsberg's game-changing poem "Howl" is essentially performative — and so is Howl, the... More >>
Inside Job, Charles Ferguson's followup to his Iraq War gut-twister No End in Sight, is a documentary that inspires less... More >>
The Social Network is a wonderful title, at once Olympian in its detachment and self-descriptive in its buzz. Everyone will opine... More >>
Published five years ago, Kazuo Ishiguro's massively praised Never Let Me Go is set in an alternate universe where life has been... More >>
Opening with a deeply sincere "I don't give a fuck!" Austin filmmaker Ben Steinbauer's investigative doc Winnebago Man sets out... More >>
Lebanon, written and directed by Samuel Maoz, is not just the year's most impressive first feature, but also the strongest new... More >>
Elegant opening credits, written as if calligraphy on a wedding invitation, yield to a couple in blunt close-up — unhappy, interracial,... More >>
Alain Resnais's Wild Grass has plenty of fans — it copped an award at Cannes in 2009 — but I don't see what they see.... More >>
An exercise in voyeurism, Maren Ade's provocatively titled, superbly performed, emotionally graphic Everyone Else is more... More >>
Serious comedy, powered by an enthusiastic cast and full of good-natured innuendo, Lisa Cholodenko's The Kids Are All Right gives... More >>
Implicit in its title, the premise of The Killer Inside Me — directed by Michael Winterbottom from Jim Thompson's 1952... More >>
Opening with a close-up of the crow's feet around its subject's eyes and expanding to reveal her Botox-frozen upper lip, the... More >>
Mother, Bong Joon-ho's followup to his killer killer-tadpole allegory The Host, is a more subtle yet no less visceral... More >>
Mother, Bong Joon-ho's followup to his killer killer-tadpole allegory The Host, is a more subtle yet no less visceral... More >>
Sad, funny, and acutely self-conscious, Noah Baumbach's new movie is the sort of mordant character study that people imagine were common in the... More >>
Better late than never — a bang-bang pulse-pounder predicated on the Bush administration's deliberate fabrication of WMDs in Iraq. Paul... More >>
Detective stories imply that mysteries can be solved, or at least rationally explained. Even the most debased example confirms a universe in... More >>
Animals and people are all jumbled up in the hyperactive Belgian puppet animation that is A Town Called Panic — most... More >>
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