Email Author J. Hoberman
A doggedly overwrought production less felt than facile, Steven Spielberg's War Horse is an essentially uninvolving prestige... More >>
A Dangerous Method, the title of David Cronenberg's viscerally cerebral new film, is something of an understatement. As cataclysmic as... More >>
The Girl With the Dragon Tattoo is hardly a personal... More >>
Steve McQueen's first two films both star Michael Fassbender, feature virtually interchangeable titles, and are nearly as grueling to watch as... More >>
John le Carré's Tinker, Tailor, Soldier, Spy, the 1974 spy novel generally... More >>
Aki Kaurismäki's Le Havre is something of a comeback for the Finnish filmmaker. His warmhearted comedy of underdog... More >>
The first thing you see in Lars von Trier's Melancholia is a tight close-up of Kirsten Dunst's face. Behind her, slow as... More >>
As life-or-death dramedy, The Descendants poses several important questions: Why has it taken Alexander Payne seven years to... More >>
Does anyone under the age of fifty even remember the man who more or less created the FBI and successfully ran the agency for nearly half a... More >>
Sometimes it's easier for life to imitate art than vice versa. Witness French cartoonist Joann Sfar's first feature, an ambitious attempt to... More >>
As taut and economical as its title is unwieldy, Sean Durkin's Martha Marcy May Marlene — a first feature that won the Best... More >>
The revolution will not be televised." So Gil Scott-Heron asserted in 1970, and so it was not — at least not on American TV. As... More >>
Written and directed by Bruce Robinson, The Rum Diary is what the Brits might call a rum movie — an oddly inoffensive piece... More >>
Tsui Hark's visually sumptuous Detective Dee and the Mystery of the Phantom Flame is a strong comeback for the veteran Hong Kong... More >>
John Sayles's Amigo aspires to educate more than entertain, but it's no less engrossing for that. Torn from the pages of history,... More >>
As stripped down and propulsive as its robotic title, Drive is the most "American" movie yet by Danish genre director Nicolas... More >>
Nobody cries, "Stop the presses!" in Andrew Rossi's Page One: Inside the New York Times; no one would dare. There's a palpable... More >>
Lu Chuan's City of Life and Death has the title and the feel of a monument. This widescreen, austerely monochromatic,... More >>
A big-bang demolition derby, J.J. Abrams's much-anticipated, greatly enjoyable Super 8 seems bound for box-office glory. Opening... More >>
An earnest, intermittently droll dramedy about a manic-depressive toy manufacturer and his bewildered family, The Beaver is a... More >>
Tenacious indie Kelly Reichardt has specialized in quirky, minimalist quasi-road movies in which loners come unmoored in some great American... More >>
This week's big movie can be found on TV. Arch-independent filmmaker Todd Haynes makes a characteristically sidelong move toward the mainstream... More >>
Cheerfully diffident, garrulous yet uninflected, blithely self-absorbed, the mumblecore brand proliferates: Last year's star vehicles... More >>
Fresh from Sundance, Miguel Arteta's amiable Cedar Rapids is a mild comedy of embarrassment, set in the dark heart of Middle... More >>
The Eagle, directed by Kevin Macdonald and adapted from Rosemary Sutcliff's 1954 historical novel, The Eagle of the Ninth,... More >>
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