Email Author Juliet Wittman
Last Summer at Bluefish Cove starts out well enough: A timidly conventional housewife, Eva, stumbles unaware into a secluded seaside... More >>
Speaking as someone who was terrified of the telephone when I was a child because I couldn't understand how the voices of people I knew could get... More >>
It doesn't matter how much it's quoted, kitschified, read at Christmas gatherings or adapted for stage and screen, Charles Dickens's A... More >>
The Nomad Theatre's Belle and the Beast is the quintessential children's fairy tale. It's got all the requisite sweetness and magic;... More >>
Every time I attend one of Thaddeus Phillips's one-man shows, more of my friends ask to accompany me. Phillips is a genuine phenomenon, and his... More >>
David Sedaris's sardonic The SantaLand Diaries is a Christmas sugarplum all by itself. Well, it's something more impudent than a... More >>
It's the ultimate question, the one that preoccupies all active minds: Why death? Why the inevitable, final dissolution? And why the process --... More >>
Oliver! is among the best musicals ever written. But in 1960, when Lionel Bart -- then a young, working-class composer -- prepared... More >>
God's Trombones is the title of a book by James Weldon Johnson, published in 1927 and consisting of seven poem-sermons. Johnson,... More >>
I haven't seen Eric Bogosian himself perform, and I haven't read his work, so I really don't know if his writing is as drop-dead funny as actor... More >>
John Patrick Shanley's Italian American Reconciliation is an amiable amble of a play that revolves around the friendship of two men... More >>
Playwright Kenneth Lonergan is, among other things, a poet of confused and disaffected youth. He's perhaps best known for writing and directing... More >>
All the sad young men, drifting through the town Drinking up the night, trying not to drown -- "Ballad of All the Sad Young... More >>
The news at Country Dinner Playhouse is that Bill McHale -- artistic director from the time the playhouse opened in 1970 until his premature... More >>
We remember Oscar Wilde today primarily for his epigrammatic wit -- the nineteenth-century bons mots that have lost none of their sharpness or... More >>
In Blue/Orange, Christopher (Keith L. Hatten), a young black man, is awaiting his release from a London psychiatric hospital, where... More >>
Underneath the Lintel is a seventy-minute one-act play that takes the form of a lecture by a buttoned-up, pedantic, spiritually... More >>
I've never been a particular fan of John Denver, other than acknowledging that he wrote a few pleasant tunes. And despite decades living in... More >>
THURS, 10/2 In the early scenes of Gus Edwards's Louie and Ophelia, the title characters are crazy about each other. By... More >>
In Elevator, the first of Buntport Theater's two original one-acts presented under the title Misc. , three people stand in an... More >>
I would like to say things were otherwise, really I would. I would like to find all kinds of nuance and dozens of brilliantly esoteric references... More >>
The strongest things in the Shadow Theatre Company's ambitious production of Macbeth are Jeffrey Nickelson's performance in the... More >>
Barbara Ehrenreich published Nickel & Dimed: On (Not) Getting by in America in 2001 partly as a response to President Clinton's 1996... More >>
The Drawer Boy is a droll, humorous, slowly spun story that's often gently charming. It's based on a Canadian theater project... More >>
Urinetown is set after a drought so severe that people no longer have private toilets; everyone must use run-down, unsanitary public... More >>
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