Email Author Juliet Wittman
The first scene of Fiction pulls off a telling bit of trickery. Two people argue and banter over espressos in a Paris cafe. Playful,... More >>
To be buried while alive is, beyond question, the most terrific of these extremes which has ever fallen to the lot of mere mortality. That it... More >>
A collection of monologues about the Iraq War based on the experiences of men who fought there, Sand Storm is raw and upsetting, but... More >>
I'm sitting at a small table at Boulder's Dinner Theatre with my friend Robin Haig. A one-time dancer with the Royal Ballet, Robin has just... More >>
Dear God, but I am sick of Death of a Salesman, which I've now had to see three times in the past year. Despite the play's... More >>
The death penalty is an obscenity in itself, and the ways in which it's applied are equally vile: the endless waiting on death row, where... More >>
There was a moment in Chess that undid me completely. It occurred when the heroine, Florence, met the man she believed to be her... More >>
The most interesting character in After Ashley disappears after the first scene. This is Ashley herself, whom we meet while she's... More >>
The United States could recover from an all-out nuclear war with the Soviet Union in just two to four years.... Nuclear war is not nearly as... More >>
Quartermaine¹s Terms simply refuses to come to life. In fact, from the current Germinal Stage production, I can't quite figure... More >>
I've been dancing around this conclusion, trying to find a way to put it more tactfully, but I can't: Waitin¹ 2 End Hell is a... More >>
Private Eyes is a very smart play. For a while I tormented myself trying to decipher the plot, but I couldn't do it. Some critics... More >>
The first act of Sarah Ruhl's The Clean House is about as perfect a piece of theater as I can imagine. On a stunningly evocative,... More >>
"Poor Wandering One" is among the loveliest of Gilbert and Sullivan's many lovely melodies, but you haven't really lived until you've heard... More >>
At the end of the nineteenth century, Sarah Bernhardt was the grande dame of French theater and Eleonora Duse her Italian counterpart. The two... More >>
Although Man of La Mancha first opened in New York in 1965, I'd somehow managed to go all these years without seeing it. I had heard... More >>
Watching television with Isabelle, my crinkly-haired, adventurous, lemon-curd-loving Belgian anthropologist friend, was always a hoot. I'd... More >>
There's nothing more romantic than being young and in love in New York City, walking together along the worn, sooty streets touched by that... More >>
There has been a great deal of excitement around The War Anthology, which began when Curious Theatre Company artistic director Chip... More >>
Some time ago, I met Kathleen Widdoes at a writers' conference in Prague. Most people who recognize the name at all know Widdoes from her role on... More >>
Imagine you're at an unnamed beach, surrounded by sand, salt-laden air and the sound of the sea rolling endlessly in and out, everything around... More >>
As the Bush administration moves America toward a permanent state of war against an undefined and therefore unconquerable enemy -- war that is... More >>
There's not much depth to The Smell of the Kill, but it's wonderfully malicious and a lot funnier than any of the sketch comedy I've... More >>
The setting is the living room of Tobias and Agnes, a wealthy East Coast couple, and the play is a twisted descendent of the classic drawing-room... More >>
In some of the skits, the material is funnier than the execution; in others, the execution is better than the material. Overall, Red... More >>
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