Email Author Juliet Wittman
The curtain call saddened me. As the performers gathered on stage looking jacked up and happy, audience members were already pushing along the... More >>
The setting is a hovel in England's Cambridgeshire fens, a flimsy wood structure that offers only the barest protection from the elements, both... More >>
Defiance. The second play in a projected trilogy (the first is Doubt, which took the Pulitzer Prize and will be staged at the... More >>
My Old Lady begins like a clash-of-cultures comedy of manners, as Mathias Gold, a penniless, middle-aged American, enters the... More >>
As I was going up the stairI met a man who wasn't there.He wasn't there again today.I wish, I wish he'd go... More >>
How I Learned to Drive. "Look at me," Uncle Peck pleads to his young niece, the narrator-protagonist of How I Learned to Drive.... More >>
In 1936, the year it was written, You Can't Take It With You would have been described as zany or madcap. It's about the doings... More >>
Any play by John Patrick Shanley is worthwhile, but Defiance is a far slighter script than other works of his that I've seen. The... More >>
Anna in the Tropics. The setting is a small, Cuban-run cigar factory in Ybor City, Florida, at the turn of the last century. In... More >>
From everything I've heard about her, Wendy Wasserstein — who succumbed to cancer last year at the age of 55 — seems to have been... More >>
Rachel Corrie has been a lightning rod for controversy since her death in Gaza at the age of 23, when she was run over by an Israeli soldier... More >>
There's a very specific strain of English humor — a sort of hyper-literate silliness — that stems from a love of nonsense as a... More >>
Anna in the Tropics. The setting is a small, Cuban-run cigar factory in Ybor City, Florida, at the turn of the last century. In... More >>
I have to admit, I spent almost the entire evening at the Aurora Fox either glancing at my watch or wondering why Nilo Cruz's Anna in the... More >>
I still have unhappy memories of Menopause the Musical and the slightly less ghastly Hats! at the New Denver Civic Theatre —... More >>
How I Learned to Drive. "Look at me," Uncle Peck pleads to his young niece, the narrator-protagonist of How I Learned to Drive.... More >>
All in the Timing. David Ives's six one-acts are all about language, communication and understanding, and also chance and fate. The... More >>
From the moment you walk into the theater and see the topsy-turvy set, the central metaphor of Vote for Uncle Marty is obvious. And... More >>
Look at me," Uncle Peck pleads to his young niece, the narrator-protagonist of How I Learned to Drive. "Listen to me." And that's... More >>
All in the Timing. David Ives's six one-acts are all about language, communication and understanding, and also chance and fate. The... More >>
John and Jen are not lovers, as the title of John & Jen might lead you to believe, but children of a violently abusive father in the... More >>
All in the Timing. David Ives's six one-acts are all about language, communication and understanding, and also chance and fate. The... More >>
In Craig Lucas's Prelude to a Kiss, Peter and Rita meet cute and proceed to have one of those idiosyncratic, charming conversations... More >>
At the opening-night performance of The Little Mermaid, I saw a little girl perched on a booster seat, ecstatically dancing her... More >>
Sista's and Storytellers. This is not a play, and it's not exactly a cabaret act, either. It's sort of a cross between a slumber party and... More >>
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