Email Author Juliet Wittman
Girls Only. The trouble with Girls Only, a two-woman evening of conversation, skits, singing, improvisation and audience... More >>
George Orwell once said, "If you want a vision of the future, imagine a boot stamping on a human face — forever," and that pretty much... More >>
Chicago. Sort of Brechtian, sort of Cabaretish, Chicago tells a story of injustice and corruption, and tells it in the... More >>
Perhaps in 1963, when Federico Fellini made his semi-autobiographical 8 ½, the movie on which the musical Nine is... More >>
Chicago. Sort of Brechtian, sort of Cabaretish, Chicago tells a story of injustice and corruption, and tells it in the... More >>
The Rainmaker is a gentle, dated comedy, well-suited to the generally older audience of the Aurora Fox, but it has flickers of... More >>
Chicago. Sort of Brechtian, sort of Cabaretish, Chicago tells a story of injustice and corruption, and tells it in the... More >>
Mariela in the Desert is a beautiful play, a serious piece about the way art works in the lives of the human beings who create... More >>
Why is Iago so intent on destroying Othello? Iago himself gives two reasons: He's been passed over for promotion, and he believes Othello has... More >>
Chicago. Sort of Brechtian, sort of Cabaretish, Chicago tells a story of injustice and corruption, and tells it in the... More >>
The Denver Center Theatre Company produced Sarah Ruhl's The Clean House three years ago, and though there were elements of the... More >>
I've had a soft spot for truckers ever since my hitchhiking hippie days: It was often trucks that stopped at the on-ramps of those teeming... More >>
Chicago. Sort of Brechtian, sort of Cabaretish, Chicago tells a story of injustice and corruption, and tells it in the... More >>
Every year, the weather provides some kind of drama on the first day of the Boulder Farmers' Market: a rainy deluge that pounds on awnings,... More >>
Chicago. Sort of Brechtian, sort of Cabaretish, Chicago tells a story of injustice and corruption, and tells it in the... More >>
Sometimes the first day of the Boulder Farmers Market finds the street blanketed in snow, or everyone shivering under a freezing... More >>
Among death and illness memoirs, John Thorndikes The Last of His Mind has refreshing strengths. Thorndike combines an elegant,... More >>
Pretty much everyone in this wambling, good-natured shaggy dog of a comedy is older than the character he or she portrays: Lazy layabout Royce... More >>
Chicago. Sort of Brechtian, sort of Cabaretish, Chicago tells a story of injustice and corruption, and tells it in the... More >>
Michael Hollinger, who graduated from the Oberlin Conservatory of Music, knows exactly what he's writing about in Opus, the story... More >>
Chicago. Sort of Brechtian, sort of Cabaretish, Chicago tells a story of injustice and corruption, and tells it in the... More >>
Chicago. Sort of Brechtian, sort of Cabaretish, Chicago tells a story of injustice and corruption, and tells it in the... More >>
The House of Yes is a smart, sharp black comedy — not particularly deep, but with some uneasy currents creeping beneath the... More >>
We're seated at a long table in Arugula, a Boulder restaurant devoted — like most good restaurants these days — to local, fresh and... More >>
At the Denver Center Theatre Company's New Play Summit last month, a couple of critics from larger cities were talking about our area's... More >>
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