Email Author Karina Longworth
Sold — and bought — as the year's most "intelligent" blockbuster while actually baldly insulting its audience's intelligence,... More >>
She doesn't sing that way because she's had it easy." This is how Tess (Cher), the long-suffering owner of the nightclub at the center of... More >>
In the climax of Morning Glory, Rachel McAdams is dressed in a flesh-colored, diaphanous cocktail dress, its halter top and tight... More >>
A very, very loose and highly symbolic adaptation of The Tibetan Book of the Dead, Gaspar Noé's Enter the... More >>
New York mag editor Juliette (Patricia Clarkson) travels alone to Cairo to meet her husband, who works for the United Nations in Gaza. When... More >>
The Switch is a loose adaptation of a Jeffrey Eugenides story called "Baster," published in The New Yorker in 1996 and... More >>
Salt, famously the Spy Flick Rewritten for Angelina Jolie After Tom Cruise Dropped Out, has been publicized as the cinematic... More >>
MacGruber (Will Forte), a highly decorated soldier of fortune known for "making life-saving inventions out of household materials," faked his... More >>
Is it an accident that Ridley Scott's Robin Hood plays like a rousing love letter to the Tea Party movement? It's certainly... More >>
Kick-Ass, the Matthew Vaughn-directed adaptation of Mark Millar and John Romita Jr.'s graphic novel, sets itself up as an... More >>
There's an obvious stunt element to the casting of The Runaways: a punked-up, barely legal Kristen Stewart and a still underage,... More >>
We are not these people! We are a boring couple from New Jersey!" complains Claire Foster (Tina Fey) to her husband, Phil (Steve Carell), about... More >>
Set in the white, lower-class, upstate New York dead end of Mohawk Valley, Donal Mosher and Michael Palmieri's October Country follows... More >>
Set in the white, lower-class, upstate New York dead end of Mohawk Valley, Donal Mosher and Michael Palmieri's October Country... More >>
Cop Out establishes its movie lineage right away, with a slow-motion toe-to-head tilt up, set to the Beastie Boys' "No Sleep 'Til... More >>
In Pretty Woman, director Garry Marshall's personal cinematic high score, the opening credits close (and the closing credits open) with... More >>
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