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1999 Stories by Michael Paglia

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  • Sticks and Stones

    published March 25, 1999

    The landscape has served as both artistic inspiration and subject matter for thousands of years, dating back to Neolithic cave painting. And today... More >>

  • Picture This

    published March 18, 1999

    The role of photography in contemporary art hasn't always been black and white. Although today photography is highly prized, as recently as thirty... More >>

  • Place Settings

    published March 11, 1999

    When British artist Erica Daborn moved to Los Angeles in 1987, she came empty-handed. Leaving her work back in England, she arrived in the United... More >>

  • West by Southwest

    published March 4, 1999

    By the early twentieth century, artists from the East Coast, as well as emigres from Europe, were making their way to the handful of art colonies... More >>

  • Fit for Prints

    published February 25, 1999

    The string of rooms on the ground floor of the funky Sibell-Wolle Fine Arts building that are rather grandly known as the CU Art Galleries have... More >>

  • Hearts and Flowers

    published February 18, 1999

    The Museum of Contemporary Art/Denver finally has a somewhat permanent address: Sakura Square. The ground-floor, two-story MoCA/D space fronts a... More >>

  • Please Be Seated

    published February 11, 1999

    Since Virginia Folkestad received her bachelor of fine arts degree from Metropolitan State College in 1991, she's gained a considerable reputation... More >>

  • Variety Packs

    published February 4, 1999

    Though still in its inaugural year, Ron Judish Fine Arts has already established itself as one of the city's most interesting galleries. Although... More >>

  • Private Passions

    published January 28, 1999

    The private passions of two collectors have gone very public in Boulder. Sans Titre: Works From the Collection of Peggy Scott and David Teplitzky,... More >>

  • Common Sense

    published January 21, 1999

    Many collectors are interested in buying so-called museum-quality artwork. For a gallery owner, the trick is to convince potential clients that... More >>

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