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Best Of 2009

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Best Of :: Arts & Entertainment

Best Beefcake Show
Tattoo Detour

Northern Colorado artist Jack Balas has made a habit of approaching handsome young men over the years. His intentions are noble, however: He simply wants to take their pictures and use the photos as preliminary works for his eye-catching drawings, watercolors and paintings. Tattoo Detour, mounted in the dog days of July, was made up of images based on the guys that he met on a working vacation in Hawaii. It was the first time Balas had worked out of a suitcase instead of his well-appointed studio, and he loved the experience. The expertly drawn and painted figures — surfers, in particular — mostly hit the mark, and the show was therefore unforgettable.

1740 Wazee St., Denver, 80202
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303-298-7788
Best Actor

In this odd, enigmatic play by Edward Albee, Terry Burnsed played Julian, a humble priest destroyed by a Lawyer, a Cardinal, a Butler and a seductive benefactress named Alice, who may all have been acting on behalf of a corrupt and unimaginably vicious God. Burnsed's portrayal was at the heart of Tiny Alice's power and success; in fact, he acted with such integrity and passion that you wondered how he could endure repeating the role again and again through the run.

Best Actor — Season

Tyee Tilghman brings dignity, subtlety and intelligent understatement to almost everything he does on a stage. This year's triumphs included a hardened street person in Curious's The Denver Project; a small but telling role in the Denver Center's Merry Wives of Windsor, where his low-key humor contrasted nicely with all the crazed hijinks going on around him; and a gravely beautiful portrayal of Orpheus in Sarah Ruhl's conceptually daring version of the Orpheus-Eurydice myth, staged — again — by Curious.

Best Actress

Doubt is about a priest who may or may not be molesting a young boy at his school, and the nun who, convinced of his guilt, is determined to bring him down. Jeanne Paulsen made Sister Aloysius every bit as stern and judgmental as the script required, but she also showed us there was something admirable about the woman's strength, single-mindedness and lack of sentimentality — as well as her bracing and ironic sense of humor. Every now and then, there was even a flicker of tenderness. She was, in short, riveting.

Best Actress in a Musical

All three divas in 3 Mo' Divas sang pieces that ranged from opera to blues to disco with great authority and power. All were sensational. But Nova Y. Payton stood out. When she gave her sexy, playful, yearning rendition of Gershwin's "Summertime," you felt as if you'd never heard the song before, and she stripped "My Funny Valentine" of its corniness. Her phrasing was original and her voice a wonder. Note to Denver directors: Bring her back to us.

Best Actress — Season

Two knock-it-out-of-the-park performances, and another acting display so good it almost saved a not-very-convincing play — that was Emily Paton Davies's contribution to the theater scene this year. In Crimes of the Heart, she played ditsy husband-killer Babe. Describing the killing, this girl was so sweetly and transparently reasonable that you really understood why she'd had to make herself a jug of fresh lemonade immediately afterward (she was thirsty) and then offered her husband a glass as he writhed on the carpet (it was the mannerly thing to do). In Love Song, Paton Davies showed us that she could be tough, funny, brittle and deeply tender. This actress has been on the scene for quite a while, and she gets more versatile and talented with every year that passes.

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Best Beefcake Show: Tattoo Detour

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