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Best Of 2009

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Best Of :: Arts & Entertainment

Best Smoking Area — Inside
The Grizzly Rose
Eric Gruneisen

Of course we know where the smoke-easies are, but we'll never tell. Not here. Not ever. Nobody likes a narc. We can reveal, however, that if you're a smoker and looking to get your country-music jam or line-dance on, you need look no further than the Tobacco Shop at the Grizzly Rose. A well-ventilated, closed-door room off the eastern alleyway, the Shop sells smokes and chew, boasts recliners and frequently emptied ashtrays, and is a helluva lot better than quickly ripping butts in the parking lot, where you're guaranteed to miss all the action. As long as you tip the employee for putting up with your filth and close the goddamn door behind you, there won't be any problems.

5450 N. Valley Highway, Denver, 80216
MAP
303-295-1330
Best Actor

In this odd, enigmatic play by Edward Albee, Terry Burnsed played Julian, a humble priest destroyed by a Lawyer, a Cardinal, a Butler and a seductive benefactress named Alice, who may all have been acting on behalf of a corrupt and unimaginably vicious God. Burnsed's portrayal was at the heart of Tiny Alice's power and success; in fact, he acted with such integrity and passion that you wondered how he could endure repeating the role again and again through the run.

Best Actor — Season

Tyee Tilghman brings dignity, subtlety and intelligent understatement to almost everything he does on a stage. This year's triumphs included a hardened street person in Curious's The Denver Project; a small but telling role in the Denver Center's Merry Wives of Windsor, where his low-key humor contrasted nicely with all the crazed hijinks going on around him; and a gravely beautiful portrayal of Orpheus in Sarah Ruhl's conceptually daring version of the Orpheus-Eurydice myth, staged — again — by Curious.

Best Actress

Doubt is about a priest who may or may not be molesting a young boy at his school, and the nun who, convinced of his guilt, is determined to bring him down. Jeanne Paulsen made Sister Aloysius every bit as stern and judgmental as the script required, but she also showed us there was something admirable about the woman's strength, single-mindedness and lack of sentimentality — as well as her bracing and ironic sense of humor. Every now and then, there was even a flicker of tenderness. She was, in short, riveting.

Best Actress in a Musical

All three divas in 3 Mo' Divas sang pieces that ranged from opera to blues to disco with great authority and power. All were sensational. But Nova Y. Payton stood out. When she gave her sexy, playful, yearning rendition of Gershwin's "Summertime," you felt as if you'd never heard the song before, and she stripped "My Funny Valentine" of its corniness. Her phrasing was original and her voice a wonder. Note to Denver directors: Bring her back to us.

Best Actress — Season

Two knock-it-out-of-the-park performances, and another acting display so good it almost saved a not-very-convincing play — that was Emily Paton Davies's contribution to the theater scene this year. In Crimes of the Heart, she played ditsy husband-killer Babe. Describing the killing, this girl was so sweetly and transparently reasonable that you really understood why she'd had to make herself a jug of fresh lemonade immediately afterward (she was thirsty) and then offered her husband a glass as he writhed on the carpet (it was the mannerly thing to do). In Love Song, Paton Davies showed us that she could be tough, funny, brittle and deeply tender. This actress has been on the scene for quite a while, and she gets more versatile and talented with every year that passes.

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Best Smoking Area — Inside: The Grizzly Rose

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