Paul Page's seemingly native ability to shoot down highfalutin ideas with a gliding, three-note "Yah" contributed to his ingratiating portrait of an armchair-philosophizing fisherman in the Aurora Fox Theatre Company's production of The Ice-Fishing Play. He conferred an easy complexity on native Minnesotan Kevin Kling's look at the intimate lives of sportsmen, at the same time touching upon every man's fear that emotional closeness invariably results in a loss of independence. Page also jerked a few tears when he related a tale that was as profound as a haunting boreal glow radiating beneath an evening squall. And regarding his attempts to remain authentic in speech and behavior, a true Minnesotan would probably say, "Oh, you betcha!"
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